The Year's Work in the Oddball Archive

The Year's Work in the Oddball Archive

2.33 (3 ratings by Goodreads)
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The modern age is no stranger to the cabinet of curiosities, the freak show, or a drawer full of odds and ends. These collections of oddities engagingly work against the rationality and order of the conventional archive found in a university, a corporation, or a governmental holding. In form, methodology, and content, The Year's Work in the Oddball Archive offers a counterargument to a more reasoned form of storing and recording the avant-garde (or the post-avant-garde), the perverse, the off, the bent, the absurd, the quirky, the weird, and the queer. To do so, it positions itself within the history of mirabilia launched by curiosity cabinets starting in the mid-fifteenth century and continuing to the present day. These archives (or are they counter-archives?) are located in unexpected places-the doorways of Katrina homes, the cavity of a cow, the remnants of extinct animals, an Internet site-and they offer up "alternate modes of knowing" to the traditional archive.
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Product details

  • Paperback | 448 pages
  • 152 x 178 x 33.02mm | 29g
  • Indiana University Press
  • Bloomington, IN, United States
  • English
  • 17 b&w illus.
  • 0253018471
  • 9780253018472

Review quote

It was a pleasure to read through this collection, and I suspect some of the essays, if not the entire book, will find itself on the syllabus for my Archive and Ephemera graduate course. * Museum Anthropology Review *
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About Jonathan P. Eburne

Jonathan P. Eburne is Associate Professor of Comparative Literature and English at Penn State. He is the author of Surrealism and the Art of Crime.

Judith Roof is William Shakespeare Chair of English at Rice University and author of many books on feminism and contemporary culture.
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Table of contents

Box I: Saving America: Archival Proliferations. Includes:
1. Joseph Campana and Tedd Bale, "Pawning, Picking, Storing, Hoarding: Archiving America on Reality Television."
An examination of the massive reality television fixation on picking, storing, pawning, and hoarding.
2. Atia Sattar, "Germ Wars: Dirty Hands, Drinking Lips and Dixie Cups"
A discussion of germs, gender, and the Dixie Cup Archive.
3. Beth McCoy, "The Archive of the Archive of the Archive: The FEMA Signs of Post-Katrina New Orleans and the Veve of Vodoun."
A comparison of Veve and FEMA markings in post-Katrina New Orleans.
Box II: Collective Figures. Includes:
4. Robin Blyn, "Marcuse's Unreason: The Biology of Revolution"
Rereading Marcuse's odd positioning in the world of political philosophy.
5. Dennis Allen, "The Madness of Slavoj iek."
Ponders the ubiquity of Slavoj iek.
6. Jonathan P. Eburne, "Fish Kit."
A look at David Lynch's extra-cinematic art of assemblage and dissection.
Box III: Untimely Archives. Includes:
7. Timothy Sweet, "The Eighteenth-Century Archives du Monde: The Question of Agency in Extinction Stories"
Considers Native American and Colonial theories for the extinction of dinosaurs.
8. Charles Tung, "Modernist Heterochrony, Evolutionary Biology, and the Chimera of Time."
How bodies, genes, and H.G. Wells play with heterochronies.
9. Aaron Jaffe, "THERE IS AS YET INSUFFICIENT DATA FOR A MEANINGFUL ANSWER: Information at the Literary Limit."
What happens when the archive has too much and not enough.
Box IV: Archives Acting Out. Includes:
10. Judith Roof, "Personifying La Con, or Post-Hoax Ergo Proper Hoax"
Anatomizes hoaxes and their dependence on an archive.
11. Grant Aubrey Farred, "The Eleventh Commandment."
Being revolutionary with Thomas Paine and Saint Paul.
12. Seth Morton, "The Archive that Knew Too Little: The International Necronautical Society and the Avant-Garde."
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