Walt Whitman and Modern Music

Walt Whitman and Modern Music : War, Desire, and the Trials of Nationhood

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Description

Walt Whitman's poetry, especially his Civil War poetry, attracted settings by a wide variety of modern composers in both English- and German-speaking countries. The essays in this volume trace the transformation of Whitman's nineteenth-century texts into vehicles for confronting twentieth-century problems-aesthetic, social, and political. The contributors pay careful attention to music and poetry alike in examining how the Whitman settings become exemplary means of dealing with both the tragic and utopian faces of modernism. The book is accompanied by a CD recording by Joan Heller and Thomas Stumpf of complete Whitman cycles composed by Kurt Weill, George Crumb, and Lawrence Kramer, and the first recording of four Whitman songs composed in the 1920s by Marc Blitzstein.show more

Product details

  • Paperback | 210 pages
  • 152 x 229 x 12.7mm | 505g
  • Taylor & Francis Ltd
  • ROUTLEDGE
  • London, United Kingdom
  • English
  • Reprint
  • 1138870323
  • 9781138870321

Table of contents

Introduction, Lawrence Kramer; "Red War Is My Song": Whitman, Higginson, and Civil War Music, John M. Picker; "No Armpits, Please, We're British": Whitman and English Music, 1884-1936, Byron Adams; Eros, Expressionism, and Exile: Whitman in German Music, Werner Grÿnzweig and Walter Grÿnzweig; Reclaiming Walt: Marc Blitzstein's Whitman Settings, David Metzer; A Visionary Backward Glance: Divided Experience in Paul Hindemith's When Lilacs Last in the Dooryard Bloom'd: A Requiem for Those We Love, Philip Coleman-Hull; "I'm an American!": Whitman, Weill, and Cultural Identity, Kim H. Kowalke; Three American Requiems: Contemplating "When Lilacs Last in the Dooryard Bloom'd," Kathy Rugoff; Like Falling Leaves: The Erotics of Mourning in Four Drum-Taps Settings, Lawrence Kramer.show more