Vox clara ecce intonat

Vox clara ecce intonat : Vocal score

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By (composer) 

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for SATB (with divisions) and soprano saxophone Setting the original Latin text of the hymn better known as 'Hark! a thrilling voice is sounding', Jackson creates an Advent piece of beautiful stillness. The largely homophonic choral parts, with a soloist supplying a gentle contrapuntal line, are contrasted with light and graceful interjections from the saxophone. The result is a quietly moving piece ideally suited for a reflective moment during an Advent service.
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Product details

  • Sheet music | 12 pages
  • 208 x 224 x 1mm | 36g
  • Oxford University Press
  • Oxford, United Kingdom
  • 0193407639
  • 9780193407633

About Gabriel Jackson

Gabriel Jackson was born in Bermuda. After three years as a chorister at Canterbury Cathedral he studied composition at the Royal College of Music. Jackson's music has been commissioned, performed and broadcast worldwide, and his works have been presented at many festivals including Aldeburgh, Cheltenham, Spitalfields, and the BBC Proms. His liturgical pieces are in the repertoires of many of Britain's cathedral and collegiate choirs, and his choral works in general
have been recorded by some of the world's leading choirs including Polyphony, The Vasari Singers, The State Choir of Latvia, and Merton College Choir, Oxford. He is currently the Associate Composer to the BBC Singers, who have premiered and broadcast a number of recent commissions. Over recent years
Jackson's music has been equally focussed on instrumental works. Commissions include works for organist Michael Bonaventure, Red Note Ensemble, and the Lunar Sax Quartet.
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Review quote

After a dramatic statement, the work is attractively lyric and clearly by Jackson, with an appealing intertwining of saxophone and choir. * www.planethugill.com, September 2016 * The saxophone part is mainly heard independently from the voices in a free style that contrasts with Jackson's familiar homophonic choral writing, though there are occasional motivic overlaps between the two sonorities. * Geoffrey Webber, Choir & Organ, May 2016 *
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