Visions of Avant-Garde Film

Visions of Avant-Garde Film : Polish Cinematic Experiments from Expressionism to Constructivism

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Warsaw- and London-based filmmakers Franciszka and Stefan Themerson are often recognized internationally as pioneers of the 1930s Polish avant-garde. Yet, from the turn of the century to the end of the 1920s, Poland's literary and art scenes were also producing a rich array of criticism and early experiments with the moving image that set the stage for later developments in the avant-garde. In this comprehensive and accessible study, Kamila Kuc draws on myriad undiscovered archival sources to tell the history of early Polish avant-garde movements-Symbolism, Expressionism, Futurism, and Constructivism-and to reveal their impact on later practices in art more

Product details

  • Paperback | 248 pages
  • 152 x 229 x 13.21mm | 336g
  • Indiana University Press
  • Bloomington, IN, United States
  • English
  • 20 b&w illus.
  • 0253024021
  • 9780253024022

Review quote

" important addition to the English-language literature on experimental film in Central and Eastern Europe in the first half of the 20th century." -Marcin Gizycki, author of Polish Animated Filmshow more

About Kamila Kuc

Kamila Kuc is Postdoctoral Research Fellow in the Department of Media and Communications at Goldsmiths, University of London. A writer, experimental filmmaker and curator, she publishes widely on the subject of film and media. She has curated programs of experimental film for international film festivals and venues and her films have been screened at international film festivals. More information on her work can be found at her website: more

Table of contents

PrefaceAcknowledgmentsIntroductionPart One: Proto-Cinematic Phase: The Pioneers (1896 - 1918)1. "The Cinematograph" and Historical Consciousness: Actualities and the Early Experiments with Film in the Polish Territories2. Discovering Medium Specificity: The First Polish Claims for Film as Art3. The First Polish Experiment with Film: Feliks Kuczkowski's Animation in the Context of the International Avant-GardePart Two: Polish Avant-Garde Movements and Film (1919 - 1945)4. Karol Irzykowski's The Tenth Muse: Animated Film as the Highest Form of Film Art5. The Theoretical Apparatus: Polish Futurism and Avant-Garde Film6. Polish Avant-Garde Films, Discourses, and the Concept of Photogenie7. Polish Avant-Garde Film and ConstructivismConclusionSelected BibliographyIndexshow more

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