The Victorian Verse-Novel

The Victorian Verse-Novel : Aspiring to Life

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The Victorian Verse-Novel: Aspiring to Life considers the rise of a hybrid generic form, the verse-novel, in the second half of the nineteenth century. Such poems combined epic length with novelistic plots in the attempt to capture not a heroic past but the quotidian present. Victorian verse-novels also tended to be rough-mixed, their narrative sections interspersed with shorter, lyrical verses in varied measures. In flouting the rules of contemporary genre
theory, which saw poetry as the purview of the eternal and ideal and relegated the everyday to the domain of novelistic prose, verse-novels proved well suited to upsetting other hierarchies, as well, including those of gender and class.

The genre's radical energies often emerge from the competition between lyric and narrative drives, between the desire for transcendence and the quest to find meaning in what happens next; the unusual marriage plots that structure such poems prove crucibles of these rival forces. Generic tensions also yield complex attitudes towards time and space: the book's first half considers the temporality of love, while its second looks at generic geography through the engagement of novels in verse with
Europe and the form's transatlantic travels. Both well-known verse-novels (Elizabeth Barrett Browning's Aurora Leigh, Arthur Hugh Clough's Amours de Voyage, Coventry Patmore's The Angel in the House) and lesser-known examples are read closely alongside a few nearly related works (Tennyson's Idylls of
the King, Robert Browning's The Ring and the Book). An Afterword traces the verse-novel's substantial influence on the modernist novel.
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Product details

  • Hardback | 312 pages
  • 142 x 223 x 23mm | 514g
  • Oxford, United Kingdom
  • English
  • 0198718861
  • 9780198718864

Table of contents

Introduction: A Short History of a Long Form
1: Adulterated Verse
2: The Longue Duree of Marriage
3: Circle-Squarers: Tennyson's and Browning's Form-Things
4: Amours de Voyage: The Verse-Novel and European Travel
5: E Pluribus Unum: The American Verse-Novel
Afterword. Adulterated Verse, the Modernist Remix
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Review quote

sets the popularity of narrative poems such as Aurora Leigh in the context of the contemporary demand for novels and the growing association of poetry generally with lyric interiority. Her book's greatest strength, however, lies in the flexible methodology she brings to her readings of specific poems. * Andrea Henderson, Studies in English Literature * Summing Up: Essential. Upper-division undergraduates through faculty. * M. E. Burstein, CHOICE *
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About Stefanie Markovits

Stefanie Markovits, Professor of English, has been teaching at Yale since 2001. A graduate of Yale College, Markovits completed an M.Phil in English Romantic Studies at Oxford before returning to Yale for her Ph.D. Professor Markovits is the author of two books, The Crisis of Action in Nineteenth-Century English Literature (2006, winner of the Samuel and Ronnie Heyman Prize) and The Crimean War in the British Imagination (2009). She studies and
teaches British literature of the long nineteenth century: Romantic and Victorian, poetry and the novel.
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