Unsettling Scores

Unsettling Scores : German Film, Music, and Ideology

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Hillman's groundbreaking study enables both serious and casual film students to approach these works with sharpened vision and improved hearing." -Klaus Phillips, Hollins UniversityUnsettling Scores: German Film, Music, and Ideology examines the use of classical music in film, particularly in the New German Cinema of the 1970s and early 80s. By integrating the music of Beethoven, Mahler, and others into their films, directors such as Fassbinder, Kluge, and Syberberg consciously called attention to its cultural significance. Through this music their films could reference and, in some cases, explore an embedded cultural tradition that included German nationalism and the rise of Nazism, especially during a period when German films were gaining international attention for the first time since the 1920s. Classical music conditioned the responses of German audiences and was, in turn, reinterpreted in new cinematic contexts. In this pioneering volume, Hillman enriches our understanding of the powerful effects of music in cinema and the aesthetic and dramatic concerns of postwar German filmmakers.show more

Product details

  • Paperback | 240 pages
  • 156 x 230 x 16mm | 358.34g
  • Indiana University Press
  • Bloomington, IN, United States
  • English
  • 10 b&w photos, 1 bibliog., 1 index
  • 0253217547
  • 9780253217547
  • 2,037,240

About Roger Hillman

Roger Hillman heads the Film Studies Program and convenes the German Studies Program at the Australian National University. He lives in Cook, Australia.show more

Table of contents

AcknowledgmentsIntroduction1. Establishing a Tonal Center2. Music as Cultural Marker in German Film3. History on the Soundtrack: The Example of Beethoven's Ninth4. A Wagnerian German Requiem: Syberberg's Hitler (1977)5. Alexander Kluge's Songs without Words: Die Patriotin (1979)6. Fassbinder's Compromised Request Concert: Lili Marleen (1980)7. The Great Eclecticism of the Filmmaker Werner Herzog8. Pivot Chords: Austrian Music and Visconti's Senso (1954)Conclusion: Film Music and Cultural MemoryNotesSelect BibliographyIndexshow more

Review quote

"Hillman's groundbreaking study enables both serious and casual film students to approach these works with sharpened vision and improved hearing."Klaus Phillips, Hollins Universityshow more

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