Understanding Greek Tragic Theatre

Understanding Greek Tragic Theatre

By (author) 

Free delivery worldwide

Available. Dispatched from the UK in 3 business days
When will my order arrive?


Understanding Greek Tragic Theatre, a revised edition of Greek Tragic Theatre (1992), is intended for those interested in how Greek tragedy works. By analysing the way the plays were performed in fifth-century Athens, Rush Rehm encourages classicists, actors, and directors to approach Greek tragedy by considering its original context. Emphasizing the political nature of tragedy as a theatre of, by, and for the polis, Rehm characterizes Athens as a performance culture, one in which the theatre stood alongside other public forums as a place to confront matters of import and moment. In treating the various social, religious and practical aspects of tragic production, he shows how these elements promoted a vision of the theatre as integral to the life of the city - a theatre whose focus was on the audience. The second half of the book examines four exemplary plays, Aeschylus' Oresteia trilogy, Sophocles' Oedipus Tyrannus, and Euripides' Suppliant Women and Ion. Without ignoring the scholarly tradition, Rehm focuses on how each tragedy unfolds in performance, generating different relationships between the characters (and chorus) on stage and the audience in the theatre.
show more

Product details

  • Paperback | 186 pages
  • 156 x 234 x 12.7mm | 385g
  • Taylor & Francis Ltd
  • London, United Kingdom
  • English
  • Revised
  • 2nd Revised edition
  • black & white illustrations
  • 1138812625
  • 9781138812628
  • 1,858,645

Review quote

This new edition will be a great resource - and an enjoyable read - for anyone interested in Greek tragic theatre. As both scholar and actor/director, Rush Rehm knows the right questions to ask, and his answers are richly informative and thought-provoking. - Professor Pat Easterling, University of Cambridge, UK
show more

About Rush Rehm

Rush Rehm is Professor of Classics and Theater and Performance Studies at Stanford University, USA. He is also a freelance actor and director, and Artistic Director of Stanford Repertory Theater.
show more

Table of contents

CONTENTS Preface Acknowledgements A note on translations and editions A list of plates Part I The social and theatrical background 1 The Performance Culture of Athens 2 The Festival Context 3 Production as Participation 4 The Theatre Of Dionysus 5 Conventions of Production Part II Exemplary Plays 6 Aeschylus' Oresteia Trilogy 7 Sophocles' Oedipus Tyrannus 8 Euripides' Suppliant Women 9 Euripides' Ion Select bibliography Index
show more