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Anna Seghers's Transit is an existential, political, literary thriller that explores the agonies of boredom, the vitality of storytelling, and the plight of the exile with extraordinary compassion and insight. Having escaped from a Nazi concentration camp in Germany in 1937, and later a camp in Rouen, the nameless twenty-seven-year-old German narrator of Seghers's multilayered masterpiece ends up in the dusty seaport of Marseille. Along the way he is asked to deliver a letter to a man named Weidel in Paris and discovers Weidel has committed suicide, leaving behind a suitcase containing letters and the manuscript of a novel. As he makes his way to Marseille to find Weidel's widow, the narrator assumes the identity of a refugee named Seidler, though the authorities think he is really Weidel. There in the giant waiting room of Marseille, the narrator converses with the refugees, listening to their stories over pizza and wine, while also gradually piecing together the story of Weidel, whose manuscript has shattered the narrator's "deathly boredom," bringing him to a deeper awareness of the transitory world the refugees inhabit as they wait and wait for that most precious of possessions: transit more

Product details

  • Paperback | 280 pages
  • 127 x 200.66 x 17.78mm | 226.8g
  • The New York Review of Books, Inc
  • NYRB Classics
  • New York, United States
  • English
  • Main
  • 1590176251
  • 9781590176252
  • 78,046

Review quote

""Transit "is Seghers' best full-length novel (the novella "Ausflug der toten Madchen "was her greatest work of fiction). And "Transit "may be the greatest "Exilroman" ever..." --"Dialog International"" " "Anna Seghers ranks with Thomas Mann, Kafka, and Brecht as one of the great modernists of the 20th century. Similar to Mann, she developed a narrative manner and style that both acknowledged and superseded the aesthetic tenets of European realism. Similar to Kafka, she was a storyteller steeped in Jewish lore who unremittingly pursued the themes of injustice, suffering, and redemption in her work. Similar to Brecht and the avant-gardists, she espoused the theory of an enlightened popular or folk art, and in this spirit she chronicled the myriad upheavals of her time. Seghers is compared by the broad reach of her style and subject matter to both Virginia Woolf and Nadine Gordimer and by her stature as a woman author and intellectual of her culture and era to Simone de Beauvoir." --"Encyclopedia of German Literature" "Anna Seghers in "Transit "has painted a grim and crowded picture of Marseille when it was still a port of possible escape for the fugitives of all Europe...["Transit"'s] very air of confusion and blind groping is consonant with its is credible and arresting...there is an amazing variety and reality in event the least of the characters." --"Christian Science Monitor" "Arguably Anna Seghers' best novel..." --"German Life and Letters"" " "No reader will question the author's sincerity as she strives to anatomize the refugee mind." --"The New York Times Book Review" ""Tranist" belongs to those books that entered my life, and to which I continue to engage with in my writing, so much that I have to pick it up every couple years to see what has happened between me and it." --Christa Wolfshow more

About Anna Seghers

Anna Seghers (nee Netty Reiling; 1900-1983) was born in Mainz, Germany, into an upper-middle-class Jewish family. She was a sickly and introverted child by her own account, but became an intellectually curious student, eventually earning a doctorate in art history at the University of Heidelberg in 1924; her first story, written under the name Antje Seghers, was published in the same year. In 1925 she married a Hungarian immigrant economist and began her writing career in earnest. By 1929 Seghers had joined the Communist Party, given birth to her first child, and received the Kleist Prize for her first novel, The Revolt of the Fisherman. Having settled in France in 1933, Seghers was forced to flee again after the 1940 Nazi invasion. With the aid of Varian Fry, Seghers, her husband, and two children sailed from Marseille to Mexico on a ship that included among its passengers Victor Serge, Andre Breton, and Claude Levi-Strauss. After the war she moved to East Berlin, where she became an emblematic figure of East German letters, actively championing the work of younger writers from her position as president of the Writers Union and publishing at a steady pace. Among Seghers's internationally regarded works are The Seventh Cross (1939; adapted for film in 1944 by MGM), one of the only World War II-era depictions of Nazi concentration camps; the novella Excursion of the Dead Girls (1945); The Dead Stay Young (1949); and the story collection Benito's Blue (1973). Margot Bettauer Dembo has translated works by Judith Hermann, Robert Gernhardt, Joachim Fest, Odon von Horvath, Feridun Zaimoglu, and Hermann Kant, among others. She was awarded the Goethe-Institut/Berlin Translator's Prize in 1994 and the Helen and Kurt Wolff Translator's Prize in 2003. Dembo also worked as a translator for two feature documentary films, The Restless Conscience, which was nominated for an Academy Award, and The Burning Wall. Peter Conrad was born in Australia, and since 1973 has taught English literature at Christ Church, Oxford. He has published nineteen books on a variety of subjects; among the best known are Modern Times, Modern Places; A Song of Love and Death; The Everyman History of English Literature; and studies of Alfred Hitchcock and Orson Welles. His most recent book is Creation: Artists, Gods and Origins. He has contributed features and reviews to many magazines and newspapers, including The New York Times, The New Yorker, The Observer, the New Statesman, The Guardian, and The Monthly. Heinrich Boll (1917-1985) was one of Germany's foremost post-World War II writers. He wrote short stories, essays, plays, and novels, the most famous of which are Billiards at Half-Past Nine, The Clown, Group Portrait with Lady, and The Lost Honor of Katharina Blum. Boll was awarded the Georg Büchner Prize in 1967 and the Nobel Prize in Literature in more

Rating details

742 ratings
3.66 out of 5 stars
5 22% (166)
4 37% (278)
3 28% (206)
2 9% (66)
1 4% (26)
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