Through a Woman's Eye
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Through a Woman's Eye : The Early 20th Century Photography of Alabama's Edith Morgan

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Through a Woman's Eye presents an evocative collection of a hundred black and white photographs made by Edith Morgan of Camden, a small town in Wilcox County, Alabama, just after the turn of the twentieth century. Morgan was educated locally before attending the School of the Chicago Art Institute. Subsequently she returned to Camden where she spent the remainder of her life teaching art. She also taught illiterate blacks and whites to read. Thirty years ago, Marian Furman, also of Camden and herself a professional photographer, discovered an album made by Morgan of photographs of her friends, students, and local African Americans. The latter, although somewhat stereotypical of photographs of blacks at the time, are sympathetic; they reveal the humanity of Morgan's subjects. This volume collects Morgan's photographs, along with essays that put them in the context of time and place. Professor Hardy Jackson's essay presents a personal memory. Furman describes socioeconomic and political conditions in Wilcox County and offers biographical information on the Morgan family. Dr. Matthew Mason of Yale's Beinecke Rare Book and Manuscript Library presents additional biographical information and offers a critical assessment of Morgan's photographs, comparing her work to that of contemporary photographers, especially her female peers.show more

Product details

  • Hardback | 144 pages
  • 210.82 x 233.68 x 20.32mm | 612.35g
  • NewSouth Books
  • Montgomery, Albania
  • English
  • Illustrations, unspecified
  • 158838263X
  • 9781588382634

Flap copy

Through a Woman's Eye presents an evocative collection of 100 black-and-white photographs made just after the turn of the 20th century by Edith Morgan of Camden, Alabama. Educated locally before attending the Chicago Art Institute, Morgan returned to Camden where she spent the remainder of her life teaching art. She also taught illiterate blacks and whites to read. Thirty years ago, Marian Furman, herself a professional photographer from Camden, discovered an album containing Morgan's photographs of her friends, her students, and local black residents. The latter, although somewhat stereotypical of photographs made of blacks at the time, are sympathetic; they reveal the humanity of Morgan's subjects. Three essays accompany the photographs and put them in the context of time and place. Furman also gives a description of the socioeconomic and political conditions in Morgan's Camden and gives biographical information about the Morgan family. Professor Jackson's introductory essay presents a personal memory, while Dr. Mason of Yale's Beinecke Rare Book and Manuscript Library presents additional biographical information and an assessment of Morgan's photographs, comparing her work to that of contemporary especially other female photographers.show more

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