The Street Philosophy of Garry Winogrand

The Street Philosophy of Garry Winogrand

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Garry Winogrand-along with Diane Arbus and Lee Friedlander-was one of the most important photographers of the 1960s and 1970s, as well as one of the world's foremost street photographers. Award-winning writer Geoff Dyer has admired Winogrand's work for many years. Modeled on John Szarkowski's classic book Atget, The Street Philosophy of Garry Winogrand is a masterfully curated selection of one hundred photographs from the Winogrand archive at the Center for Creative Photography, with each image accompanied by an original essay.

Dyer takes the viewer/reader on a wildly original journey through both iconic and unseen images from the archive, including eighteen previously unpublished color photographs. The book encompasses most of Winogrand's themes and subjects and remains broadly faithful to the chronological and geographical facts of his life, but Dyer's responses to the photographs are unorthodox, eye-opening, and often hilarious. This inimitable combination of photographer and writer, images and text, itself offers what Dyer claims for Winogrand's photography-an education in seeing.
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Product details

  • Hardback | 240 pages
  • 254 x 305 x 30.48mm | 1,905.09g
  • Austin, TX, United States
  • English
  • 22 color photos, 90 b&w photos
  • 1477310339
  • 9781477310335
  • 118,507

Review quote

"Handsomely designed. . . Dyer provides entertaining commentary for each photo, coaxing possible meanings from the anonymous individuals caught by Winogrand in moments of time." * Milwaukee Shepherd Express * "Physically imposing and visually sumptuous." * New York Times, Editor's Choice * "Dyer and Winogrand co-exist effortlessly, both frenetically productive cranks with commitment issues, whether in theme or form. At its best moments, Street Philosophy embraces the undirected, and uncaring, genius of both its writer and its subject-"In spite-and because of what's going on, it's impossible to tell what's going on," Dyer writes at one point-and the book is better for it." * Pacific Standard * "A luxurious meditation on the many ways in which the photographer's remarkable images work. . . there is no one quite as well matched to give voice to Winogrand's work as Dyer does in this exquisitely layered and thoughtful book." * Huck * "Geoff Dyer writes books that are easy to enjoy but hard to pin down. . . [His] refusal to be hemmed in (not to mention the cheerful indifference to his own best-laid plans) is what makes Dyer the ideal partner for Winogrand, who hated the term "street photography" even as his name became synonymous with it." * New York Times * "A wildly original journey through both iconic and unseen images from Winogrand's vast archive, with responses to the photographs that are unorthodox, funny and eye-opening." * University of Arizona News * "A truly fascinating read." * Tucson Weekly * "Dyer's riffs are both playful and illuminating, and will make you look anew at the work of a man who once said: "I'm a photographer, a still photographer. That's it." As this book reminds us, it isn't." * The Guardian * "An amazing tome of street-style photographs from the legendary documentarian's 1960s to 1980s archives." * Town Country *
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Rating details

3 ratings
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3 33% (1)
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