The Swan Kingdom

The Swan Kingdom

3.76 (4,780 ratings by Goodreads)
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"Marriott notes Andersen's 'The Wild Swans' as her inspiration, but the novel is entirely her own, full of narrative power and magic." -- BOOKLIST (Age 12 and up) When Alexandra's mother is slain by an unnatural beast, shadows fall on the once-lush kingdom. Too soon the widowed king is entranced by a cunning stranger -- and in one chilling moment Alexandra's beloved brothers disappear, and she is banished to a barren land. Rich in visual detail, sparked by a formidable evil, and sweetened with familial and romantic love, here is the tale of a girl who discovers powerful healing gifts -- and the courage to use them to save her ailing kingdom.
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Product details

  • 12-17
  • Paperback | 253 pages
  • 141 x 208 x 19mm | 254g
  • Cambrudge, MA, United States
  • English
  • Reprint
  • 1-COLOR
  • 0763642932
  • 9780763642938
  • 598,902

Review quote

You probably know me already. In every story you've ever been told, someone like me exists. A figure in the background, barely noticed by the main players. A talentless, unwanted child. The ugly one. The ugly one only gets in the way. She is as out of place as a sparrow in a clutch of swans. This was the role I had in my father's hall. It was the role my father gave me. I have a memory. It's smudgy, almost faded into nothing now. It's a memory of my father. I can remember him picking me up in his big arms and whirling me around until I shrieked with laughter. I can remember him calling me his sweeting. But that's the last-the only-time I can ever remember him holding me. I don't know what changed. Maybe it was me. I was not like my brothers-whom, it must be said, he did love a great deal. I must have been a great disappointment as a king's daughter. I could not be married to his advantage, for who would want to wed a creature so plain? And I was a strange little girl, always talking to things other people couldn't see, running out on my own, never listening to his orders. I can understand why he might have despaired of me. But I don't understand why he stopped loving me. Yet I adapted, in the way that children do. For I held another place in my father's hall-the place my mother and brothers gave me. It's not enough to say that my mother was beautiful, though she was, almost unbelievably so. But her beauty was the least that people said of her. She was a wise woman, renowned throughout the Kingdom. That was why my father, the king, had wed her. In truth, her compassion and gentleness made her better loved than Father, with his harsh ideas of justice and his brusque
manner, could ever have been. Everyone adored her. I idolized her. And then there were my brothers. I loved them almost as dearly as I did my mother.
David was the eldest, my father's heir and the most like him, with his dark hair and eyes. He was calm and steady, and it was he who endeavored to keep my dresses
unmuddied and the twigs from my hair. Next came Hugh, the tallest and most handsome, with golden hair and the careless, flashing smile of our mother. He was quick and witty and could tease even our father from a black mood. He was the inventor- and victor-of all our childhood games. Robin was the closest to me in age as well as temperament. He was not a brilliant swordsman like David or a fine horseman like Hugh. He was a thinker and kept his nose in a book as often as he could manage; but for me he always had time-to talk, paint pictures, play games. When I found the sparrow with a broken wing, it was Robin I ran to, and he put aside his book and showed me how to splint its bone and feed it, his hands and voice gentle. Robin and I were alike in many ways. We had the same deep auburn hair. We had both inherited Mother's eyes, the vivid green of newly unfurled leaves. But there, I'm afraid, my resemblance to Robin or my mother ended. When I said I was ugly, I meant it. Though I had my mother's hair and eyes and her pale skin, somehow I was . . . ugly. Or perhaps that's too strong a word. It was just that my small white face, with its delicate features, faded into insignificance, especially next to the dazzling charms of the rest of my family. They said David would make a wonderful king, in time. There was no doubt that Hugh would be a fine lord and defend his brother's lands well. And Robin, of course, would be a great scholar. No one said what I would become. They looked at me with pity, I think. I was nothing. I was the wanderer, the dreamer who listened to the tides of magic in her sleep. I knew it was not my destiny to be great. I would only be Alexandra, and I would be free. So I wasn't unhappy, then. The wood-frame Hall, with its curved walls and thatching that almost reached the ground in places, was a true home to me, and I loved it, especially Mother's beautiful gardens that spread out over most of the hillside. I grew up running wild through the amber fields of the Kingdom, sleeping in the green and silver shadows of its forests, diving through the clear sweetness of its waters. My brothers ran with me, and my mother watched over us all. When I look back now, my memories of that time seem to stream and dance like dust motes gilded by the sun. I remember one afternoon in late summer when I was about ten. Robin and I lay next to each other in the grasses by the hawthorn hedge, watching the clouds wheel above us in the sky. The hump of thatching that was the roof of the Hall was just out of sight over the curve of the hill, and below us was wild land dotted with daisies, forget-me-nots, and ammemnon flowers. Hugh and David had found some long sticks and were mock dueling nearby. Their shouts and swearing didn't disturb me-I was far too used to them-but Hugh's yelp of pain at David's blow to his knuckles was particularly loud, and I rolled my eyes at Robin as Hugh proceeded to curse his opponent soundly. "How can David's father have been a mongrel cur with one leg?" I called lazily. "He's your father too." "I refuse to believe it," Hugh said dramatically. "Obviously David is a goblin child that Mother found by the wayside one day and took pity on." "Unlikely," David said, lowering his stick. He leaned on it, continuing thoughtfully, "But it might be true that one of us is a changeling." I blinked in shock and sat up. "Do you mean me?" I asked, my voice sounding too high-pitched even to my own ears. "Don't be stupid," Hugh said hastily. "You're the living spit of Mother." "I mean Hugh, of course," David agreed calmly. "You and Robin both look like Mother, and I obviously take after Father. But who does Hugh look like?" From the Hardcover edition.
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About Zoe Marriott

Zoe Marriott makes her fantasy debut with this luscious novel inspired by Hans Christian Andersen's THE WILD SWANS. She lives in England.
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Rating details

4,780 ratings
3.76 out of 5 stars
5 30% (1,427)
4 30% (1,446)
3 29% (1,365)
2 9% (424)
1 2% (118)

Our customer reviews

As the brightly colored cover suggests, ZoÃf« Marriott's novel THE SWAN KINGDOM is a fantastical read. It is the retelling of Hans Christian Andersen's THE WILD SWANS, a fairy tale that I had never heard of, but that has all the familiar bits and pieces like the evil stepmother, enchanted gardens, and animal transformations. It also has a spunky, magically terrific but socially awkward princess-protagonist named Alexandra. A few of my friends dislike retold fairy tales, because there is no surprise ending. But I think the whole point of reading rewrites is to focus on the journey, not the place. Anyway, that's why I love retold fairy tales, because it's a way to enjoy certain stories that I seemed to grow out of. After a few years in schoolyard politics, the characters that I loved just weren't complex enough to be satisfying anymore. Beauty, Cinderella, and Snow White were never unsure, impatient, or angry. Besides some serious magical malady that I had no hope of ever battling, they never seemed to have problems at all. Alexandra, however, has real problems like pleasing her parents, being plain, and weird. With books like THE SWAN KINGDOM, I get my dosage of magic, and from a girl normal enough to be friends with. Alexandra is an ugly duckling from a family of swans. Her parents are the just and admired rulers of the Kingdom and her three older brothers are kind, handsome, and brilliant. Her only claim to fame is the magical connection that she shares with the land, but even then her skills are dwarfed by her mother's great healing abilities. When the novel opens, she has pretty much settled for a life in the shadows, but when her mother is killed by a beast in the forest and her father marries a strange, beautiful woman, Alexa has to step up or be squashed. While this story follows the general formula of a fairytale (evil destroyed and kingdom restored), ZoÃf« Marriott has charted a unique path to Happily Ever After. There seems to be a lot of retold fairy tales on the shelves these days. Some are humorous, like Gail Carson Levine's PRINCESS TALES series. THE SWAN KINGDOM is one of the more serious ones, and readers who enjoyed Robin McKinley's or Donna Jo Napoli's books should try it more
by TeensReadToo
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