Sustainable Audiovisual Collections Through Collaboration
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Sustainable Audiovisual Collections Through Collaboration : Proceedings of the 2016 Joint Technical Symposium

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Description

The art and science of audiovisual preservation and access has evolved at breakneck speed in the digital age. The Joint Technical Symposium (JTS) is organized by the Coordinating Council of Audiovisual Archives Associations and brings experts from around the world to learn of technologies and developments in the technical issues affecting the long-term survival and accessibility of audiovisual collections. This collection of essays is derived from presentations made at the 2016 JTS held in Singapore and presents an overview of the latest audiovisual preservation methods and techniques, archival best practices in media storage, as well as analog-to-digital conversion challenges and their solutions.show more

Product details

  • Paperback | 160 pages
  • 229 x 279 x 12.95mm | 571.53g
  • Indiana University Press
  • Bloomington, IN, United States
  • English
  • 146 color illus., 14 b&w illus.
  • 0253027020
  • 9780253027023

About Rachael Stoeltje

Dietrich Schuller is director emeritus of the Phonogrammarchiv at the Austrian Academy of Sciences and is a specialist in audiovisual preservation and re-recording.Lars Gaustad directs the film preservation efforts at the National Library of Norway.Rachael Stoeltje is the director of the Indiana University (IU) Libraries Moving Image Archive and established the IU film collections into the IU Libraries Moving Image Archive.An award-winning creative director and designer for main titles in feature films and television, Vicki Shively is an Masters in Library Science candidate in digital libraries at Indiana University with a focus on moving image archives.George Boston spent his professional career as a sound technician and manager with the BBC, including their music studios in London, Audio Unit in Manchester, and the Open University Production Centre in Milton Keynes.show more

Table of contents

1. Introduction, Rachael Stoeltje 2. Let's Emulate the Sound of Colours! Reto Kromer 3. BFI Film Forever: Unlocking Film Heritage, Charles Fairall4. New and Improved! Experiences from the Introduction of the National Library of Australia's SecondDigital Collection Management System, Mark Piva5. Changing Gears: Fast-Lane Design for Accelerated Innovation in Memory Organisations, Johan Oomen, Maarten Brinkerink, Bourke Huurnink6. Organized Metadata Management System Using Auto-Generated Post-Production Scrip, Nobu Yamashita7. Canalizing the Maelstrom of Metadata: Extensions on the Hourglass Model, Brecht Declercq8. Using Film Annotation Tool as Part of the Restoration Process, Franz Hoeller9. The Restoration of The Thousand-Stitch Belt (1937), Masaki Daibo, Tomohiro Hasegawa, and Kazuki Miura10. Migration of Archived Video Footage: Challenges and Solutions for Hardware, Software, and WorkflowIssues, Frank Pavuza11. An Investigation into the Restoration of Wire Recordings in the 1950s, Nie Manying, Wang Xi, Zhang Shuxia, and Yan Jie12. Findings from the Digitization of 78 RPM Discs, George Blood13. Playback Methods for Phonogram Images on Paper, Patrick Feaster14. Present and Future Applications of Optical Soundtrack Scan Technology, Gilles Barberis15. Practical VisualAudio: A Long Journey to Tangible Results, Stefano S. Cavaglieri16. Sound Reproduction of the First Speaking Films, Thierry Delannoy17. Marginal Analysis of Digital Video Archives Restoration Project, Yang Haisheng and Jiang Huijun18. Digital Video Damage in Archives: Detect, Repair and Prevent-Results from the DAVID Project, Peter Schallauer & Franz Hoeller19. PREFORMA and the MediaConch Project: Open Source Tools for Open Standards, Erwin Verbruggen, Dave Rice, Bert Lemmens, Jerome Martinez, Ashley Blewer, Emanuel Lorrain, Antonella Fresa, and Claudio Prandoni20. From Tape To File: Solutions For A Data-Centric Migration Workfshow more