Staging the Screen

Staging the Screen : The Use of Film and Video in Theatre

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Description

The use of film and video is widespread in contemporary theatre. Staging the Screen explores a variety of productions, ranging from Piscator to Forced Entertainment, charting the impact of developing technologies on practices in dramaturgy and performance. Giesekam addresses critical issues raised by multi-media work and inter-media workshow more

Product details

  • Paperback | 296 pages
  • 138 x 210 x 20mm | 358.34g
  • Palgrave USA
  • Palgrave MacMillan
  • Gordonsville, United States
  • English
  • 296 p.
  • 1403916993
  • 9781403916990
  • 341,194

About Greg Giesekam

GREG GIESEKAM sits on the Board with Ankur Productions and was a Senior Lecturer in Theatre Studies at the University of Glasgow, UK until 2006. His publications on contemporary British theatre and contemporary performance art include A Descriptive Catalogue of the Archive of the National Review of Live Art (a reference website cataloguing over 200 performances, talks and installations from 1986-1996) and Luvvies and Rude Mechanicals? Amateur and Community Theatre in Scotland (Scottish Arts Council, 2000).show more

Review quote

'... of great use to students and scholars seeking either an introduction to the field or descriptions of many of the performances that helped to establish... the territory.' - Matthew Causey, Contemporary Theatre Reviewshow more

Table of contents

List of Illustrations.- General Editor's Preface.- Acknowledgements.- Introduction: Contamination or Remediation?.- Magic to Realism: European Pioneers.- Polyscenicness: Josef Svoboda and Laterna Magika.- Big Screen to Small Screen.- Postmodern Collage: The Wooster Group.- Third-hand Photocopies: Forced Entertainment.- Live Films on Stage: The Builders Association.- Crossing the Celluloid Divide: Forkbeard Fantasy.- Quantum Theatre: Station House Opera.- Electric Campfires: Robert Lepage.- Conclusion.- Index.show more

Rating details

6 ratings
3.83 out of 5 stars
5 17% (1)
4 50% (3)
3 33% (2)
2 0% (0)
1 0% (0)
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