The Split Subject of Narration in Elizabeth Gaskell's First Person Fiction
21%
off

The Split Subject of Narration in Elizabeth Gaskell's First Person Fiction

By (author) 

Free delivery worldwide

Available. Dispatched from the UK in 1 business day
When will my order arrive?

Description

The Split Subject of Narration in Elizabeth Gaskell's First-Person Fiction analyzes a number of Elizabeth Gaskell's first-person works through a post-modern perspective. It attempts to explore the vicissitudes of Victorian Subjectivity by focusing on the ways in which E. Gaskell's realistic and Gothic fiction interrogate post-Romantic assumptions about the centrality and coherence of the narrating subject.show more

Product details

  • Hardback | 178 pages
  • 152.4 x 231.14 x 20.32mm | 453.59g
  • Lexington Books
  • Lanham, MD, United States
  • English
  • 0739166085
  • 9780739166086

Review quote

Elizabeth Gaskell and Jacques Lacan are brought together here in a sophisticated and original exploration of the psychoanalytic implications of Gaskell's narrative strategies. Through a close reading of Gaskell's first-person fiction, Koustinoudi throws light on the gaps and dislocations that lurk within these deceptively simple narratives, revealing Gaskell to have had as much in common with her modernist successors as with her Victorian contemporaries. Indispensable for students of Gaskell, this book also makes a significant contribution to the field of psychoanalytic literary criticism. -- Ruth Parkin-Gounelas, Aristotle University of Thessaloniki, Greece Dr. Koustinoudi presents an insightful post-structural analysis of a selection of Elizabeth Gaskell's first-person fiction (Cranford, Cousin Phillis, the 'German' short stories 'Six Weeks at Heppenheim' and 'The Grey Woman' and the Gothic tale, 'The Poor Clare'), methodically exploring the narrative subjectivity of these five works. By elucidating Gaskell's balanced handling of the tension between the I and the eye of these prose tales, Koustinoudi presents a strongly theoretical gaze that points the reader to achieving an understanding and appreciation of Gaskell's Victorian reality. She applies the work of Lacan to her reading of Gaskell, noting that just as Lacan informs that reading, Gaskell's writing is informed by her challenge of Descartes's 'notions of the self's wholeness and centrality' through her plots, her characters and (especially) her narrators. -- Nancy S. Weyant, Gaskell Bibliographer and associate professor emeritus, Bloomsburg Universityshow more

About Anna Koustinoudi

Anna Koustinoudi is an Adjunct Faculty Member at Aristotle University (Greece). Her research interests and publications focus on nineteenth-century prose, especially on Victorian women's novelistic production, as well as on gender theory in combination with psychoanalytic and narrative theory.show more

Table of contents

Introduction Chapter 1: Elizabeth Gaskell's First-Person Narratives in the Context of Victorian Culture and Society: Theoretical Perspectives on First-Person Narration Chapter 2: The Communal "I"/Eye: Narrating the Individual and the Community in Cranford's Heterotopic Utopia Chapter 3: The Voyeuristic "I"/Eye: Disavowal, Defence, and Voyeurism in the Narration of "Six Weeks at Heppenheim" and Cousin Phillis Chapter 4 : The Gothic "I"/Eye: The Ghostliness of Identity in "The Poor Clare" and "The Grey Woman" Afterwordshow more