The Spectre of Alexander Wolf
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The Spectre of Alexander Wolf

3.8 (1,617 ratings by Goodreads)
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Description

'Of all my memories, of all my life's innumerable sensations, the most onerous was that of the single murder I had committed.'

A man comes across a short story which recounts in minute detail his killing of a soldier, long ago - from the victim's point of view. It's a story that should not exist, and whose author can only be a dead man. So begins the strange quest for the elusive writer 'Alexander Wolf'. A singular classic, The Spectre of Alexander Wolf is a psychological thriller and existential inquiry into guilt and redemption, coincidence and fate, love and death.

Gaito Gazdanov (Georgi Ivanovich Gazdanov, 1903-1971), son of an Ossetian forester, was born in St Petersburg and brought up in Siberia and Ukraine, he joined Baron Wrangel's White Army in 1919 aged just sixteen, and fought in the Russian Civil War until the Army's evacuation from the Krimea in 1920. After a brief sojourn in Gallipoli and Contantinople (where he completed secondary school), he moved to Paris, where he spent eight years variously working as a docker, washing locomotives, and in the Citroen factory. During periods of unemployment, he slept on park benches or in the Metro. In 1928, he became a taxi driver, working nights, which enabled him to write and to attend lectures at the Sorbonne during the day. His first stories began appearing in 1926, in Russian emigre periodicals, and he soon became part of the literary scene. In 1929 he published An Evening with Claire, which was acclaimed by, among others, Maxim Gorki and the great critic Vladislav Khodasevich. He died in Munich in 1971, and is buried in the Russian cemetery of Sainte-Genevieve-des-Bois near Paris.
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Product details

  • Paperback | 176 pages
  • 129 x 198 x 13.46mm | 172.37g
  • London, United Kingdom
  • English
  • 1782270728
  • 9781782270720
  • 186,868

Review Text

"Like Nabokov at his best, Gazdanov teases his reader to trace the sometimes parallel yet often intersecting narrative layers, reminding us again that to read literature means, in many ways, to lose one's mind." - Andrew Marzoni, Rain Taxi Review of Books

"Gaito Gazdanov's elegantly crafted Proustian novel delves into the eternal ideas of life, death, and identity." - World Literature Today

"A masterpiece of modern literature... I haven't read such a humanely fine and moving novel about the great twentieth century Ice Age of the Soul in a long time." - Iris Radisch, Die Zeit

"Gaito Gazdanov's compelling, clear, extremely civilised language breaks the resistance of even the most reluctant reader and most obstinate iPhone-addict. ... We decadent Westerners, who are finally allowed to read Gazdanov ... love his contemporary narratory style - because it's now action, now reflection, and at the end there is always a perfect, but uncontrived, solution as in an HBO-series. ... Gazdanov teaches us - with each line of his beautiful, sad, ambivalent prose that always drifts into the essayistic - to love our beautiful, broken, neurotic lives." - Maxim Biller, Frankfurter Allgemeine Sonntagszeitung

"Fantastic, clever, precise and so thrilling, and at the same time modern in a cool way ... The Spectre of Alexander Wolf is a novel which can change your life. If you're prepared for the trip." - Georg Diez, Kultur SPIEGEL

"A stroke of luck for the reader ... a novel which, on few pages, in scenes which one cannot quickly forget, deals with forlornness, enjoyment, distraction, with love, death and coincidence - all that, which makes the human life beautiful and unbearable ... A vase flies, shots ring out: and there we stand, in our hands the book of an author whose name we didn't know until now. Already it's a favourite book." - Jens Bisky, Süddeutsche Zeitung

"How each of us forms his memories is the theme of this novel. Rarely has one read about it as elegantly, as deeply and despite everything so comfortingly as here." - Tilman Spreckelsen, Frankfurter Allgemeine

"The Spectre of Alexander Wolf becomes a study of the soul in the zone of death, written with a fine criminological sense, churning us up, gripping, exciting.', Andreas Puff-Trojan, Die Welt'Of course, you sense yourself that you are very talented. And I want to add that you are talented in your own, very special way. I can say this with some justification, because I have read not only An Evening with Claire, but also some of your short stories." - Maxim Gorky

"What saved Gazdanov as a person was Gazdanov the writer, who in his art transformed the unbearable reality of his life, his time and the society in which he lived - not into a falsified, tacky image or into a philistine dream of a wonderful life, but into a metaphysical scream, which, because of its intensity and its sincerity, sounds into the deepest reaches of the human soul and moves and satisfies us through the power of its expression. In this sense Gazdanov's artistic style grants the 'wonderful life' the shape of reality, of life, as it should be and as it only exists in art." - Laszlo Dienes

"If Proust had been a Russian taxi driver in Paris in the 1930s..." - L'Express

"A work of great potency ... it punches very much above its weight, and I have a hunch that what's in it will stay with you for the rest of your life." - Nicholas Lezard, Guardian

"A mystery ... multilayered ... this is an original at work." - George Szirtes, The Times

"Quick-paced, taut prose ... rendered beautifully in Karetnyk's accomplished new translation." - Ivan Juritz, Independent on Sunday

"Elegantly eerie ... devastatingly atmospheric ... cool, wonderfully fraught." - Eileen Battersby, The Irish Times

"A mesmerising work of literature." - Antony Beevor

"It's as if the roman policier has been filtered through Dostoevsky... a finely wrought novel, tense and enigmatic, just waiting to be discovered b
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Review quote

A work of great potency ... it punches very much above its weight, and I have a hunch that what's in it will stay with you for the rest of your life -- Nicholas Lezard Guardian This is an original at work, that originality perceived as it were through a veil, as an intrigue, an enigma... offering a perception of reality, of death and guilt and the effects of both -- George Szirtes The Times Quick-paced, taut prose ... rendered beautifully in Karetnyk's accomplished new translation -- Ivan Juritz Independent on Sunday Elegantly eerie ... devastatingly atmospheric ... cool, wonderfully fraught... Gifted if unsung masters from the past continue to put pressure on the writers of the moment, and readers need only savour riches such as this unsettling wonder to understand why -- Eileen Battersby The Irish Times A tantalising mystery. Much more than a period piece, it is a mesmerising work of literature -- Antony Beevor It's as if the roman policier has been filtered through Dostoevsky... a finely wrought novel, tense and enigmatic, just waiting to be discovered by a filmmaker ... The narrator relates his tale in gorgeously cadenced long sentences ... like those of Proust ... Gazdanov owes a debt from the grave to his translator Bryan Karetnyk -- Lesley Chamberlain TLS Truly troubling, a weird meditation on death, war, and sex... Bryan Karetnyk's new translation makes you believe in the power of the original -- Lorin Stein Paris Review Quick, taut prose... rendered beautifully in Karetnyk's accomplished new translation -- Ivan Juritz Independent on Sunday Extraordinarily good -- Oliver Bullough Literary Review A compulsive read, playful yet sinister, meandering yet impressively trim, old-world and modern. It is to Pushkin Press's great credit that this gorgeously restored relic... has been revived from untimely oblivion -- Daniel Levine The Millions Splendidly translated... a mini-masterpiece Star Tribune Gazdanov's work is the perfect fusion of the Russian tradition and French innovation London Review of Books There are hints of Sartre's nihilism, flashes of Nabokov's emigre restlessness and several narrative tricks, which seem to prefigure postmodernism... those interested in questioning the hidden and often incomprehensible connections between human beings will savor this intriguing tale -- Phoebe Taplin Russia Beyond the Headlines Coincidence, fate, guilt, redemption, love, death and melodrama are thrillingly interwoven with irresistible style and elegance -- Val Hennessy Daily Mail This new translation of his most popular and accomplished novel reveals Gadzanov's masterful command of criminal plots and the psychological nuances of his characters, coupled with evocative descriptions of shifting moods and urban landscapes... Karetnyk's prose is surgically precise and elegantly taut... A literary masterpiece The Lady Gazdanov is a modernist master -- Mary O'Donoghue Irish Times Gazdanov's name remains too little mentioned by English-language readers - a problem for which Bryan Karetnyk's new translation... provides a partial solution... Like Nabokov at his best, Gazdanov teases his reader to trace the sometimes parallel yet often intersecting narrative layers, reminding us again that to read literature means, in many ways, to lose one's mind Rain Taxi Dancing between themes, Gazdanov's plain and poised sentences proceed always at their own unhurried pace... Bryan Karetnyk's translation makes this English prose sound... like the cool musicianship of vintage jazz. Something shines through it. Scotland-Russia Review Elegantly crafted World Literature Today A detective story that falls within a particular Russian literary lineage Lit Hub
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About Gaito Gazdanov

Gaito Gazdanov (Georgi Ivanovich Gazdanov, 1903-1971) was the son of a forester. Born in St Petersburg and brought up in Siberia and Ukraine, he joined Baron Wrangel's White Army in 1919 aged just sixteen, and fought in the Russian Civil War until the Army's evacuation from the Krimea in 1920. After a brief sojourn in Gallipoli and Contantinople (where he completed secondary school), he moved to Paris, where he spent eight years variously working as a docker, washing locomotives, and in the Citroen factory. During periods of unemployment, he slept on park benches or in the Metro. In 1928, he became a taxi driver, working nights, which enabled him to write and to attend lectures at the Sorbonne during the day. His first stories began appearing in 1926, in Russian emigre periodicals, and he soon became part of the literary scene. In 1929 he published An Evening with Claire, which was acclaimed by, among others, Maxim Gorki and the great critic Vladislav Khodasevich. He died in Munich in 1971, and is buried in the Russian cemetery of Sainte-Genevieve-des-Bois near Paris.
show more

Rating details

1,617 ratings
3.8 out of 5 stars
5 24% (392)
4 40% (653)
3 28% (456)
2 6% (102)
1 1% (14)
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