Sonata Fragments
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Sonata Fragments : Romantic Narratives in Chopin, Schumann, and Brahms

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Description

In Sonata Fragments, Andrew Davis argues that the Romantic sonata is firmly rooted, both formally and expressively, in its Classical forebears, using Classical conventions in order to convey a broad constellation of Romantic aesthetic values. This claim runs contrary to conventional theories of the Romantic sonata that place this nineteenth-century musical form squarely outside inherited Classical sonata procedures. Building on Sonata Theory, Davis examines moments of fracture and fragmentation that disrupt the cohesive and linear temporality in piano sonatas by Chopin, Brahms, and Schumann. These disruptions in the sonata form are a narrative technique that signify temporal shifts during which we move from the outer action to the inner thoughts of a musical agent, or we move from the story as it unfolds to a flashback or flash-forward. Through an interpretation of Romantic sonatas as temporally multi-dimensional works in which portions of the music in any given piece can lie inside or outside of what Sonata Theory would define as the sonata-space proper, Davis reads into these ruptures a narrative of expressive features that mark these sonatas as uniquely Romantic.show more

Product details

  • Paperback | 272 pages
  • 155 x 235 x 15.24mm | 317.51g
  • Indiana University Press
  • Bloomington, IN, United States
  • English
  • 5 b&w illus., 25 music exx.
  • 0253028930
  • 9780253028938

About Andrew Davis

Andrew Davis is Dean of the College of the Arts at the University of Houston and author of Il Trittico, Turandot, and Puccini's Late Style (IUP).show more

Review quote

"...a major achievement." -Michael L. Klein, author of Music and the Crises of the Modern Subjectshow more

Table of contents

Introduction: Romantic Musical Discourse, Or, A Rhetoric Of Romantic MusicPart I. Fragmentation and Atemporality1. Fragmentation: Aesthetics of Nineteenth-Century Romanticism2. Atemporality in Narrative and MusicPart II. Structural and Rhetorical Strategies in Music with and Without Text3. Music With Text: Two Slow Movements by Brahms4. Music Without Text: Forms of AtemporalityPart III. Brahms's Piano Sonatas5. Treatment of the Medial Caesura6. Treatment of the S-Space7. Treatment of the Development and Recapitulation8. Treatment of the Slow Introduction and CodaConclusionSelected BibliographyIndexshow more