Silent Cinema and the Politics of Space

Silent Cinema and the Politics of Space

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Description

In this cross-cultural history of narrative cinema and media from the 1910s to the 1930s, leading and emergent scholars explore the transnational crossings and exchanges that occurred in early cinema between the two world wars. Drawing on film archives from around the world, this volume advances the premise that silent cinema freely crossed national borders and linguistic thresholds in ways that became far less possible after the emergence of sound. These essays address important questions about the uneven forces-geographic, economic, political, psychological, textual, and experiential-that underscore a non-linear approach to film history. The "messiness" of film history, as demonstrated here, opens a new realm of inquiry into unexpected political, social, and aesthetic crossings of silent cinema. Jennifer M. Bean is Director of Cinema and Media Studies and Associate Chair of Comparative Literature at the University of Washington. She is editor of Flickers of Desire: Movie Stars of the 1910s and co-editor of A Feminist Reader in Early Cinema. Anupama Kapse is Assistant Professor in the Department of Media Studies, Queens College, CUNY. Her articles have appeared in Framework and Figurations in Indian Film. Laura Horak is a postdoctoral researcher in the Department of Media Studies at Stockholm University. Her writings have appeared in Camera Obscura, Cinema Journal, and Film Quarterly.show more

Product details

  • Hardback | 360 pages
  • 157.48 x 233.68 x 27.94mm | 1,020.58g
  • Indiana University Press
  • Bloomington, IN, United States
  • English
  • 55 b&w illus., 1 table
  • 0253012260
  • 9780253012265

About Jennifer M. Bean

Jennifer M. Bean is Director of Cinema and Media Studies and Associate Chair of Comparative Literature at the University of Washington. She is co-editor of Flickers of Desire: Movie Stars of the 1910s.Anupama Kapse is Assistant Professor in the Department of Media Studies, Queens College, CUNY. Her articles have appeared in Framework and Figurations in Indian Film.Laura Horak is a postdoctoral researcher in the Department of Media Studies at Stockholm University. Her writings have appeared in Camera Obscura, Cinema Journal, and Film Quarterly.show more

Review quote

"This volume brings together much new and exciting scholarship on silent cinema. It is a timely and important scholarly intervention that foregrounds several promising new methodologies for examining space, place, and their relative displacements." - Matthew Solomon, University of Michiganshow more

Table of contents

Introduction / Jennifer M. Bean Part I. Picturing Space Introduction / Anupama Kapse 1. Location, "Location": On the Plausibility of Place Substitution / Mark B. Sandberg 2. Insurgent Place as Visual Space: Location Shots and Rival Geographies of 1857 Lucknow / Priya Jaikumar, Part II. Prints in Motion Introduction / Jennifer M. Bean 3. Robespierre Has Been Lost: D. W. Griffith's Movies and the Soviet Twenties / Yuri Tsivian 4. An Afterlife for Junk Prints: Serials and Other "Classics" in Late-1920s Tehran / Kaveh Askari 5. Translations and Transportation: Toward a Transnational History of the Intertitle / Laura Isabel Serna Part III: Impertinent Appropriations Introduction / Anupama Kapse 6. From "Misemono" to Zigomar: A Discursive History of Early Japanese Cinema / Aaron Gerow 7. The Crisscrossed Stare: Chinese Protest and Propaganda in the Not-So-Silent Era / Yiman Wang 8. Around the World in 80 Minutes: Douglas Fairbanks and the Indian Stunt Film / Anupama Kapse Part IV: Cosmopolitan Sexualities and Female Stars Introduction / Jennifer M. Bean 9. National Soul/Cosmopolitan Skin: Swedish Cinema at a Crossroads / Jan Olsson 10. Queer Crossings: Greta Garbo, National Identity, and Gender Deviance / Laura Horak 11. Cosmopolitan Women: Marlene Dietrich, Anna May Wong, and Leni Riefenstahl / Patrice Petro Notes Bibliography Contributorsshow more