Shakespeare on Theatre
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Shakespeare on Theatre : A Critical Look at His Theories and Practices

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Description

In Shakespeare on Theatre, master acting teacher Robert Cohen brilliantly scrutinises Shakespeare's implicit theories of acting, paying close attention to the plays themselves and providing a wealth of fascinating historical evidence.


What he finds will surprise scholars and actors alike - that Shakespeare's drama and his practice as an actor were founded on realism, though one clearly distinct from the realism later found in Stanislavski.


Shakespeare on Acting is an extraordinary introduction to the way the plays articulate a profound understanding of performance and reflect the life and times of a uniquely talented theatre-maker.
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Product details

  • Hardback | 130 pages
  • 140 x 216 x 12.7mm | 420g
  • ROUTLEDGE
  • London, United Kingdom
  • English
  • 1138913847
  • 9781138913844

Table of contents

INTRODUCTION: SHAKESPEARE AS A MAN OF THE THEATRE


CHAPTER I: SHAKESPEARE ON ACTING


CHAPTER II: SHAKESPEARE ON STAGING





CHAPTER III: SHAKESPEARE ON HIS AUDIENCE
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Review quote

"...it includes useful insights into how to approach Shakespeare as performance. Though extensively documented, this volume can be read in a single setting as well as studied in depth. Summing Up: Recommended."


- K. J. Wetmore Jr., Loyola Marymount University in CHOICE
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About Robert Cohen

Robert Cohen is the Claire Trevor Professor of Drama at UC Irvine, director of 12 Shakespearean productions at the Utah and Colorado Festivals, and author of 23 books including Acting Power, Acting in Shakespeare, Theatre, Working Together in Theatre, and Giraudoux: Three Faces of Destiny.
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