Shakespeare and Feminist Performance : Ideology on Stage
In this controversial new book, Sarah Werner argues that the text of a Shakespeare play is only one of the many factors that give a performance its meaning. By focusing on The Royal Shakespeare Company, Werner demonstrates how actor training, company management and gender politics fundamentally affect both how a production is created and the interpretations it can suggest.
Werner concentrates particularly on:
The influential training methods of Cicely Berry and Patsy Rodenburg
The history of the RSC Women's Group
Gale Edwards' production of The Taming of the Shrew
She reveals that no performance of Shakespeare is able to bring the plays to life or to realise the playwright's intentions without shaping them to mirror our own assumptions.
By examining the ideological implications of performance practices, this book will help all interested in Shakespeare's plays to explore what it means to study them in performance.
- Hardback | 144 pages
- 140 x 216 x 12.7mm | 272g
- 01 Sep 2001
- Taylor & Francis Ltd
- London, United Kingdom
Other books in this series
01 Oct 2002
01 Dec 1999
01 Jul 2001
01 Oct 2002
01 Sep 2001
-Arthur F. Kinney, Thomas W. Copeland Professor of Literary History, University of Massachusetts, Amherst
"Accents on Shakespeare is shaping up as everything a streetwise series of books on the Bard should be: engaged, imaginative, heretical and occasionally outrageous. No one who aims to have their finger on the pulse of Shakespeare studies can afford to ignore it."
-Kiernan Ryan Professor of English, Royal Holloway, University of London and Fellow of New Hall, University of Cambridge