Sense and Non-Sense

Sense and Non-Sense

4.01 (142 ratings by Goodreads)
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Description

Written between 1945 and 1947, the essays in Sense and Non-Sense provide an excellent introduction to Merleau-Ponty's thought. They summarize his previous insights and exhibit their widest range of application-in aesthetics, ethics, politics, and the sciences of man. Each essay opens new perspectives to man's search for reason.

The first part of Sense and Non-Sense, "Arts," is concerned with Merleau-Ponty's concepts of perception, which were advanced in his major philosophical treatise, Phenomenology of Perception. Here the analysis is focused and enriched in descriptions of the perceptual world of Cezanne, the encounter with the Other as expressed in the novels of Simone de Beauvoir and Sartre, and the gestalt quality of experience brought out in the film art form. In the second part, "Ideas," Merleau-Ponty shows how the categories of the phenomenology of perception can be understood as an outgrowth of the behavioral sciences and how a model of existence based on perception sensitizes us to the insights and limitations of previous philosophies and suggests constructive criticisms of contemporary philosophy. The third part, "Politics," clarifies the political dilemmas facing intellectuals in postwar France.
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Product details

  • Paperback | 193 pages
  • 153.92 x 230.38 x 13.21mm | 312.98g
  • Evanston, United States
  • English
  • Reprint
  • 0810101661
  • 9780810101661
  • 336,242

Back cover copy

Written between 1945 and 1947, the essays in Sense and Non-Sense provide an excellent introduction to Merleau-Ponty's thought. They summarize his previous insights and exhibit their widest range of application-in aesthetics, ethics, politics, and the sciences of man. Each essay opens new perspectives to man's search for reason. The first part of Sense and Non-Sense, "Arts," is concerned with Merleau-Ponty's concepts of perception, which were advanced in his major philosophical treatise, Phenomenology of Perception. Here the analysis is focused and enriched in descriptions of the perceptual world of Czanne, the encounter with the Other as expressed in the novels of Simone de Beauvoir and Sartre, and the gestalt quality of experience brought out in the film art form. In the second part, "Ideas," Merleau-Ponty shows how the categories of the phenomenology of perception can be understood as an outgrowth of the behavioral sciences and how a model of existence based on perception sensitizes us to the insights and limitations of previous philosophies and suggests constructive criticisms of contemporary philosophy. The third part, "Politics," clarifies the political dilemmas facing intellectuals in postwar France.
show more

Review quote

Although generally ignored in this country, Merleau-Ponty is one of the most influential and gifted philosophers to emerge from the holocaust of World War II. Thanks to this series, some of his works are now appearing for the first time in English translation." -Choice

"For the English-speaking psychologist who is interested generally in phenomenological psychology and in Merleau-Ponty's philosophy and conception of the 'behavioral' sciences, this translation must be considered an indispensable work." -Review of Existential Psychology and Psychiatry
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About M. Merleau-Ponty

Maurice Merleau-Ponty (1908-61) is the author of Adventures of the Dialectic, Consciousness and the Acquisition of Language, In Praise of Philosophy, The Primacy of Perception, The Prose of the World, Signs, Themes from the Lectures at the College de France, 1952-1960, and The Visible and the Invisible, all published by Northwestern University Press.
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Rating details

142 ratings
4.01 out of 5 stars
5 35% (50)
4 41% (58)
3 16% (23)
2 5% (7)
1 3% (4)
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