General Introduction; D. Aerts. Acknowledgements. Editorial Introduction: `Einstein meets Magritte' as a Forum for Communication; E. Mathijs, B. Mosselmans. Science, Art and Edification; D.M. Lechner. Similarity or Difference: the Case for Interdisciplinarity in Natural Sciences, Social Sciences and Art & Aesthetics; B. Mosselmans, E. Mathijs. `Goethe' as the Meeting Place of `Einstein' and `Magritte'; P.J. Hiett. Andre Breton Revisited: Once More about Science and Art; T. Romanovskaya. Knowledge Acquisition in Social Life and Art: the Case of Foucault's History of the Present; P. Baert. Heidegger and the Question of Physics, Art and Technics; E. Gianetto. Field Theory in Physics, Psychology and Art; K.W. Back. What's Wrong with this Picture? Towards a Systemological Philosophy of Science with Practice; D.H. McNeil, R.I. Flett. New Images from the Virtual Gallery of Mathematically Inspired Art; A. Barbe. Einstein meets the Bloomsbury Artists; B.R. Bowers. Intervals and Intimacy: on Magritte's Disclosure of the Space of Experience; R. Ford. Technology and Intuition: a Love Story? Roy Ascott's Telematic Embrace; E. Shanken. Musical Anticommunication: the Composition of Complexity and the Complexity of Composition; R. Feller. An Artist Encounters Science: Dialogue and Personal Translations; A. England. Art and the Boundaries of Consciousness; S. Finke. The Crossroads and Links between Art and Technology: the Role of Museums; I. Janousek. Different Levels of Change in the Aesthetic Relation to the World: `Aesthetic' Tribes, Collective Creativity, Mutual Transformations and Periodicity; M. Demeuldre. Chess as a Mirror of Scientific, Artistic and Philosophical Creativity; A. Siitonen. Contstruals: Perceptual Occlusion in the Work of Rene Magritte; F. Halper. The Art and Science of Impossible Figures; D. Piggins. The Ideology of a Model of Colour; B. Saunders. Knowledge Acquisition in Poetry Criticism: the Expert's Eye Movement as an Information Tool; J. Lauwereyns. Index.