Satire, Prints and Theatricality in the French Revolution

Satire, Prints and Theatricality in the French Revolution

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Description

The Revolutionary era was a period of radical change in France that dissolved traditional boundaries of privilege, and a time when creative experimentation flourished. As performance and theatrical language became an integral part of the French Revolution, its metaphors seeped into genres beyond the stage. Claire Trevien traces the ways in which theatrical activity influenced Revolutionary print culture, particularly its satirical prints, and considers how these became an arena for performance in their own right.

Following an account of the historical and social contexts of Revolutionary printmaking, the author analyses over 50 works, incorporating scenes such as street singers and fairground performers, unsanctioned Revolutionary events, and the representation of Revolutionary characters in hell. Through analysing these depictions as an ensemble, focusing on style, vocabulary, and metaphor, Claire Trevien shows how prints were a potent vehicle for capturing and communicating partisan messages across the political spectrum. In spite of the intervening centuries, these prints still retain the power to evoke the Revolution like no other source material.
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Product details

  • Paperback | 324 pages
  • 156 x 234 x 20mm | 500g
  • Voltaire Foundation
  • Liverpool, United Kingdom
  • English
  • 0729411877
  • 9780729411875
  • 3,038,667

Table of contents

List of illustrations

List of abbreviations

1. Introduction: the other stage of the French Revolution
Revolutionary prints: a brief historiography
Theatricality and prints

2. Singing the scene: chansons and images in prints
The case of Bonvalet (1788-1789)
The aftershocks of 1789
Multiple voices (1791-1792)
Songs and martyrdom (1793-1794)
Epilogue

3. Le monde a l'envers: the carnivalesque in prints
The commedia dell'arte in Revolutionary prints
Individual actors
Epilogue

4. The spectacle of science: illusion in prints
Charlatanism and theatricality (1784-1795)
Spellbound science (1789-1790)
Spectator and performer (1791-1792)
Science as a propaganda tool (1794)
Epilogue

5. Theatre de l'ombre: visions of afterlife in prints
Setting the stage
Executing theatre
Lighting shadows
Epilogue

6. Conclusion

Bibliography

Index
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Review quote

Reviews
'Claire Trevien's interdisciplinary exploration of the political and visual terrain between the stage and satirical prints in the French Revolution is both imaginative and path-breaking. It opens up new perspectives on the confluence of some of the most striking visual expressions of Revolutionary culture.'
Colin Jones, Queen Mary University of London '[Trevien] takes the reader to unexpected places and cultural contexts, as in her delightful discussions of the history of hot air ballooning, which includes mention of their potential use as instruments of warfare, and her history of innovation in theatrical lighting for the stage. Her writing in relation to the images discussed flows effortlessly throughout and constitutes a particularly successful aspect of the book.'


Amanda Lahikainen, Eighteenth-Century Life
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