Roman Polanski's ability to wring laughter from the most degrading heartbreaks will carry the same wealth of healthy shocks in a hundred years. He creates a macabre beauty to be wooed by and wondered at. But behind the laughter and the beauty is the ghostly truth that Polanski was orphaned by the Nazis and wandered Poland alone from ages 9 to 13. Consider the isolated intensity that bridges "Knife in the Water", "Cul de Sac", "Rosemary's Baby", "Chinatown", "Death and the Maiden" and his Oscar-winning masterpiece "The Pianist". In each, the omniscient viewpoint feels "childlike" in the least innocent sense: we listen and watch, ever-wary; the truth of what's been hidden, or is being planned in secret, is always a matter of life and death; one's survival (even within the playful confines of a fantasy) depends on not missing so much as one detail. This book has been made with full access to Roman Polanski's archives.
- Paperback | 192 pages
- 202 x 246 x 16mm | 798.34g
- 28 Feb 2006
- Taschen GmbH
- Cologne, Germany
- Illustrations (some col.), ports. (some col.)
"I like shadows in movies. I don't like them in life."" Roman Polanski"
About F.X. Feeney
The author: F.X. Feeney is a screenwriter and critic based in Los Angeles. His film credits include The Big Brass Ring, based on a story by Orson Welles, and Frankenstein Unbound, directed by Roger Corman, whilst his reviews have appeared in L.A. Weekly and other publications. F.X. has also written the TASCHEN book on Michael Mann.