Reviewing Shakespeare

Reviewing Shakespeare : Journalism and Performance from the Eighteenth Century to the Present

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Ranging from David Garrick's Macbeth in the 1740s to the World Shakespeare Festival in London 2012, this is the first book to provide in-depth analysis of the history and practice of Shakespearean theatre reviewing. Reviewing Shakespeare describes the changing priorities and interpretative habits of theatre critics as they have both responded to and provoked innovations in Shakespearean performance culture over the last three centuries. It analyses the conditions - theatrical, journalistic, social and personal - in which Shakespearean reception has taken place, presenting original readings of the works of key critics (Shaw, Beerbohm, Agate, Tynan), whilst also tracking broader historical shifts in the relationship between reviewers and performance. Prescott explores the key function of the 'night-watch constable' in patrolling the boundaries of legitimate Shakespearean performance and offers a compelling account of the many ways in which newspaper reviews are uniquely fruitful documents for anyone interested in Shakespeare and the more

Product details

  • Electronic book text
  • Cambridge University Press (Virtual Publishing)
  • Cambridge, United Kingdom
  • English
  • 1 table
  • 1139108964
  • 9781139108966

Review quote

'Reviews of theatre performances are often regarded as transitory and of little weight. In this critically astute study, Paul Prescott rescues them from oblivion. The result is a book of genuine intellectual and social significance which makes an original and valuable contribution to cultural history.' Stanley Wells, The Shakespeare Birthplace Trust 'Charts the metamorphoses of the dark art from George Bernard Shaw, James Agate and the astringent Kenneth Tynan to the emergence online of a 'trenchant crowd-sourced meta-criticism'.' The Times Higher Education Supplement '[An] attractive and persuasive combination of detailed research and pointed comment.' The Times Literary Supplement 'Prescott's erudite and entertaining book traces the sometimes hazardous profession of theatre reviewing in Britain from the 1740s through to the present day.' R. S. White, Cahiers Elisabethainsshow more

Table of contents

1. An introduction to the night-watch constable; 2. Tradition and the individual talent: reviewing the Macbeth actor c.1740s-1890s; 3. New journalism, new critics c.1890-1910; 4. The reviewer in transition c.1920-1960; 5. New contexts, new crises (1997-2012): reviewing from the opening of Shakespeare's Globe to the World Shakespeare Festival 2012; Works more

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