Rembrandt and the Face of Jesus

Rembrandt and the Face of Jesus

4.42 (7 ratings by Goodreads)
By (author)  , Edited by  , Preface by  , Contributions by  , Contributions by  , Contributions by  , Contributions by  , Contributions by  , Contributions by 

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With the creation of the dramatic Supper at Emmaus (Louvre) and a series of intimate oil sketches of Christ on oak panels, Rembrandt van Rijn (1606-1669) overturned the entire history of Christian art. Traditionally, when depicting Christ, artists had relied on rigidly copied prototypes and icons. Among Rembrandt's innovations was his use of a Jewish model to portray a Christ imbued with empathy, gentleness, grace, and faithfulness to nature. Lavishly illustrated, this captivating and important book presents the seven known panels, along with more than 60 paintings, drawings, and prints by Rembrandt and his pupils. Essays by expert contributors offer insights into the production of the panels and their relationship to other works in Rembrandt's oeuvre; how he changed the meaning and status of the canonical image of Christ in northern European art; and much more. Rembrandt and the Face of Jesus is a marvelously intriguing study of how one of the greatest painters of the Dutch Golden Age revolutionized an aspect of art history dating to antiquity.
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Product details

  • Hardback | 256 pages
  • 262 x 312 x 28mm | 2,059.3g
  • New Haven, United States
  • English
  • New
  • 130 color + 20 b-w illus.
  • 0300169574
  • 9780300169577
  • 954,786

Review quote

"The show skirts the thornier issue of Rembrandt's relationship to Jews in general. On that subject the catalog has more to offer." -The New York Times The New York Times "Scholarly and captivating catalog."-The Big Think Reviews The Big Think Reviews "[A]n engaging scholarly text ... From this study, Rembrandt emerges as an ever more expert storyteller and examiner of humanity."-A Golahny, Choice -- A Golahny Choice
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About Mark S. Tucker

Lloyd DeWitt is Associate Curator in the Department of European Painting before 1900 at the Philadelphia Museum of Art. Blaise Ducos is Curator in the Departement des Peintures at the Musee du Louvre, Paris. Franziska Gottwald is a postdoctoral fellow at Queens University, Kingston, Ontario. George S. Keyes is Curator Emeritus of European Paintings at the Detroit Institute of Arts. Shelley Perlove is Professor of Art History at the University of Michigan, Dearborn. Larry Silver is Professor of Northern Renaissance Art at the University of Pennsylvania. Seymour Slive, a preeminant scholar of Dutch art and author of numerous books on the subject, was formerly Director of the Fogg Art Museum, Harvard University. Ken Sutherland is Conservation Scientist and Mark Tucker is Vice Chairman of Conservation, both at the Philadelphia Museum of Art.
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Rating details

7 ratings
4.42 out of 5 stars
5 57% (4)
4 29% (2)
3 14% (1)
2 0% (0)
1 0% (0)
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