Recorded Music in American Life

Recorded Music in American Life : The Phonograph and Popular Memory, 1890-1945

3.71 (7 ratings by Goodreads)
By (author) 

Free delivery worldwide

Available. Dispatched from the UK in 3 business days
When will my order arrive?


Have records, compact discs, and other sound reproduction equipment merely provided American listeners with pleasant diversions, or have more important historical and cultural influences flowed through them? Do recording machines simply capture what's already out there, or is the music somehow transformed in the dual process of documentation and dissemination? How would our lives be different without these machines? Such are the questions that arise when we stop taking for granted the phenomenon of recorded music and the phonograph itself. Now comes an in-depth cultural history of the phonograph in the United States from 1890 to 1945. William Howland Kenney offers a full account of what he calls "the 78 r.p.m. era"-from the formative early decades in which the giants of the record industry reigned supreme in the absence of radio, to the postwar proliferation of independent labels, disk jockeys, and changes in popular taste and opinion. By examining the interplay between recorded music and the key social, political, and economic forces in America during the phonograph's rise and fall as the dominant medium of popular recorded sound, he addresses such vital issues as the place of multiculturalism in the phonograph's history, the roles of women as record-player listeners and performers, the belated commercial legitimacy of rhythm-and-blues recordings, the "hit record" phenomenon in the wake of the Great Depression, the origins of the rock-and-roll revolution, and the shifting place of popular recorded music in America's personal and cultural memories. Throughout the book, Kenney argues that the phonograph and the recording industry served neither to impose a preference for high culture nor a degraded popular taste, but rather expressed a diverse set of sensibilities in which various sorts of people found a new kind of pleasure. To this end, Recorded Music in American Life effectively illustrates how recorded music provided the focus for active recorded sound cultures, in which listeners shared what they heard, and expressed crucial dimensions of their private lives, by way of their involvement with records and record-players. Students and scholars of American music, culture, commerce, and history-as well as fans and collectors interested in this phase of our rich artistic past-will find a great deal of thorough research and fresh scholarship to enjoy in these more

Product details

  • Paperback | 278 pages
  • 149.86 x 228.6 x 20.32mm | 476.27g
  • Oxford University Press Inc
  • New York, United States
  • English
  • 10pp halftones
  • 0195171772
  • 9780195171778
  • 1,691,072

Review quote

"In this comprehensive study, Kenney provides a long-overdue update of histories such as Roland Gelatt's The Fabulous Phonograph: From Tin Foil to High Fidelity...[he] asks innovative theoretical questions."-American Historical Review "A fascinating exploration of the topic and addition to the literature; highly recommended for all libraries."-Choice "At last someone has attempted to place the phonograph industry in the context of America's cultural life. This book provides the first systematic attempt at integrating the entertainment medium broadly into twentieth-century American life . . . makes claims that have been in need of debate for some time now."-Victor Greene, University of Wisconsin-Milwaukee "Recorded Music in American Life is thoroughly and thoughtfully documented....General readers will be impressed with the wide range of biographical information; musicologists and historians will marvel at the breadth of sociological, psychological, and popular-culture resources Kenney brings to bear on this fascinating topic...a model of interdisciplinary cultural research."-Notes "Detailed studies of the phonograph and recorded music are seriously lacking. A book such as this is long overdue, and Kenney's work will open the field of study in a most appropriate and scholarly manner. This is a valuable and useful contribution to the study of American life."-Sam Brylawski; Motion Picture, Broadcasting, and Recorded Sound Division; Library of Congress "Kenney captures the imagination as he weaves together detail and insight, chronicling strains of elitism within the various recording companies and the adoption of jazz tunes and other popular music....This book is a must read for those interested in the recording industry or the history of popular music. It also sets a high standard for graduate students seeking to read works that incorporate excellent research technique and understanding with superb writing."-Journal of Historyshow more

About William Howland Kenney

William Howland Kenney is Professor of History and American Studies at Kent State University. He is also a jazz clarinetist and the author of Chicago Jazz: A Cultural History (OUP, 1993).show more

Rating details

7 ratings
3.71 out of 5 stars
5 14% (1)
4 57% (4)
3 14% (1)
2 14% (1)
1 0% (0)
Book ratings by Goodreads
Goodreads is the world's largest site for readers with over 50 million reviews. We're featuring millions of their reader ratings on our book pages to help you find your new favourite book. Close X