The Queer German Cinema

The Queer German Cinema

4.2 (5 ratings by Goodreads)
By (author) 

Free delivery worldwide

Available. Dispatched from the UK in 3 business days
When will my order arrive?

Description

Since the Weimar era, German cinema has played a leading role in the innovation of gay and lesbian cinema, with the tantalizing sexual illegibility and gender instability of German films of the 1920s anticipating the queer sensibilities of the 1990s.


From such cross-dressing Weimar comedies as Viktor und Victoria to the transgender fantasies of Ulrike Ottinger, Monika Treut, and Hans Scheirl, this filmic tradition explores the unconventional erotic, its directors inventing a visual language that goes beyond the trivialization and sensationalism of mainstream representations of gays and lesbians. This cinema crosses the boundaries between such classifications as male and female, gay and bisexual, normal and pathological, insisting that such transgressions cannot be entirely tamed, regulated, or closeted. Previous scholarship, reading this national cinema as sociopolitical commentary, has tended to ignore what falls outside a realist, hetero-normative paradigm. In this book, the author aims to rectify this neglect by rewriting German cinematic history queerly.


She reexamines the Nazi movie star Zarah Leander via her gay fandom, showing how this actress haunts the drag performance of femininity in the films of Rainer Werner Fassbinder. She argues not only for the persuasiveness of the gay underground in the New German Cinema but also for cinema's pivotal role in German gay liberation. Other topics include the queering of nationality in the films of Monika Treut and Rosa von Praunheim, the fetishistic medium of experimental filmmaking in the works of Michael Brynntrup and Matthias Muller, and the androgynous appeal of "dyke noir animation." In conclusion, The Queer German Cinema juxtaposes the voices of several German filmmakers as they reflect on their art in terms of a counter-politics.
show more

Product details

  • Hardback | 328 pages
  • 152 x 229 x 22.35mm | 653.17g
  • Palo Alto, United States
  • English
  • 0804737487
  • 9780804737487
  • 2,650,261

Flap copy

Since the Weimar era, German cinema has played a leading role in the innovation of gay and lesbian cinema, with the tantalizing sexual illegibility and gender instability of German films of the 1920s anticipating the queer sensibilities of the 1990s.
From such cross-dressing Weimar comedies as Viktor und Victoria to the transgender fantasies of Ulrike Ottinger, Monika Treut, and Hans Scheirl, this filmic tradition explores the unconventional erotic, its directors inventing a visual language that goes beyond the trivialization and sensationalism of mainstream representations of gays and lesbians. This cinema crosses the boundaries between such classifications as male and female, gay and bisexual, normal and pathological, insisting that such transgressions cannot be entirely tamed, regulated, or closeted. Previous scholarship, reading this national cinema as sociopolitical commentary, has tended to ignore what falls outside a realist, hetero-normative paradigm. In this book, the author aims to rectify this neglect by rewriting German cinematic history queerly.
She reexamines the Nazi movie star Zarah Leander via her gay fandom, showing how this actress haunts the drag performance of femininity in the films of Rainer Werner Fassbinder. She argues not only for the persuasiveness of the gay underground in the New German Cinema but also for cinema's pivotal role in German gay liberation. Other topics include the queering of nationality in the films of Monika Treut and Rosa von Praunheim, the fetishistic medium of experimental filmmaking in the works of Michael Brynntrup and Matthias Muller, and the androgynous appeal of "dyke noir animation." In conclusion, The Queer German Cinema juxtaposes the voices of several German filmmakers as they reflect on their art in terms of a counter-politics.
show more

Back cover copy

"The Queer German Cinema will take its palce with other key works of German film studies scholarship . . . .It will also change the way we think about film, Germany, and gender."--Journal of Homosexuality
"Alice Kuzniar's The Queer German Cinema is...an ideal example of third wave film feminism, a book packed with information, interpretation, and elegant writing. "NWSA Journal
show more

Review quote

"The Queer German Cinema will take its palce with other key works of German film studies scholarship . . . .It will also change the way we think about film, Germany, and gender." -- Journal of Homosexuality "Alice Kuzniar's The Queer German Cinema is...an ideal example of third wave film feminism, a book packed with information, interpretation, and elegant writing. "NWSA Journal
show more

About Alice A. Kuzniar

Alice A. Kuzniar is Professor of German and Comparative Literature at the University of North Carolina, Chapel Hill. She is the editor of Outing Goethe and His Age (Stanford, 1996).
show more

Rating details

5 ratings
4.2 out of 5 stars
5 40% (2)
4 40% (2)
3 20% (1)
2 0% (0)
1 0% (0)
Book ratings by Goodreads
Goodreads is the world's largest site for readers with over 50 million reviews. We're featuring millions of their reader ratings on our book pages to help you find your new favourite book. Close X