The Ponzi Scheme Puzzle

The Ponzi Scheme Puzzle : A History and Analysis of Con Artists and Victims

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In a Ponzi scheme, new investments are used to pay existing investors, to cover the cost of salespersons, and to finance the Ponzi schemer's satisfying lifestyle. Although Charles Ponzi recruited investors in Boston in 1919 and died in 1949, his design and mode of operation are alive and well today. Indeed, losses from Ponzi schemes in the United States are equal to losses from shoplifting. Ponzi schemes catch in their net highly sophisticated individuals and institutions as well as low-income and middle-income investors, and these schemes have attracted investors all over the world, in Russia, England, India, Albania, Romania, Portugal, Costa Rica, and elsewhere. Looking into the innumerable cases of Ponzi schemes throughout the years, Tamar Frankel observes that even though patterns began to emerge in the stories of con artists and their victims' behavior, the main puzzles still remain: How do con artists dazzle and lure wealthy and educated individuals and representatives of large institutions to hand over huge sums of money? How do con artists divert investors' attention from the soft spots of their stories?And while there are so many books and articles about Ponzi schemes, their warnings and constant advice on how to detect and avoid con artists go unheeded. In The Ponzi Scheme Puzzle, Frankel explores con artists' fascinating power of persuasion and deception, and analyzes their subtle signals that mimic truth and honesty. She identifies the reasons for the local and global success and longevity of such schemes and seeks to understand the nature of the con artists and their victims. She combines the many stories of Ponzi schemes, derived mostly from court cases and newspaper articles, to show the patterns of such frauds, the nature of the con artists, and character of their victims. These patterns tell us much about human nature, about our society, and about ourselves. The book first analyzes the design and pattern of the con artists' attractive offers and how they hide deceptions, then deals with the ways in which schemes are advertised and sold. Next, it focuses on the core of con artists' success, then discusses the characters of con artists and their victims. Finally, Frankel offers a number of observations on the lessons we can learn from these stories and analyses.She concludes that our attitude to con artists is ambivalent and uncertain perhaps because their behavior is so close to the behavior of honest people; or perhaps because they act like the social leaders with whom they are likely to mingle, or perhaps their actions are necessary to shake up a complacent society. Therefore, she writes, self-protection from charming, dangerous con artists must involve self-examination: once we recognize our own tendencies we can better protect ourselves from their toxic more

Product details

  • Hardback | 256 pages
  • 147.32 x 210.82 x 22.86mm | 453.59g
  • Oxford University Press Inc
  • New York, United States
  • English
  • 0199926611
  • 9780199926619
  • 911,091

About Tamar T. Frankel

Tamar Frankel is Professor of Law at Boston University School of Law. She is the author of Trust and Honesty: America's Business Culture at a Crossroad (PB: OUP, 2008, $24.95, 300 LTD; HC: OUP, 2005, $40.00, 1,652 LTD) and Fiduciary Law (HC: OUP, 2010, $75.00, 473 LTD)show more

Review quote

A financial thriller, a masterly page-turning inquiry into tragi-comic gullibility and greed, of Ponzi victims and perpetrators alike. The belief in market rationality (another confidence trick?) and the rocketing returns of finance, induced clever people to forget that there was no free lunch. Avner Offer, Chichele Professor Emeritus of Economic History, University of Oxfordshow more

Table of contents

PREFACE ; INTRODUCTION ; CHAPTER 1 CON ARTISTS AT WORK ; A. Three Stories of Ponzi Schemers ; 1. Charles Ponzi ; 2. Bernard Madoff ; 3. Gregory Bell ; B. The Basic Design ; 1. Drawing attention to the offer ; a. High Returns At No Risk ; b. Stories to Satisfy Investors' Curiosity ; c. Con Artists' Stories Are Exceptional and Creative. ; C. Gaining Trust and Concealing the Truth ; 1. Words Can Be Used to Signal Trust ; a. Words Can Denote Trustworthiness ; b. Signals to raise Trustworthiness ; c. It Depends On How You Say False Things. Specific Promises with Vague Roles ; d. The Way a Story Is Told Can Signal Truthfulness ; e. Refusing to Provide the Details of a Scheme Need Not Undermine Trust ; 2. Familiar Transaction Businesses and Forms Seem to Make Verification Superfluous ; 3. Hiding Fraud by Actions. Prompt Payments That Spell Trustworthiness, Low Risk, and Much More ; D. Hiding the Vulnerable Part of the Story: Secrecy and Costly Verification ; 1. Concealing the True Nature of the Ponzi Business ; 2. The Use of Justified Secrecy ; 3. Stories That Are Costly to Verify ; 4. Details That Hide the Truth by Drowning It ; a. Details Can Hide the Truth ; b. Complexity Helps Hide the Truth As Well ; E. Con Artists Deceptive Friendship, and Seeming Vulnerability by Age and Naivety ; 1. Deceptive Friendship and Love ; 2. Deceptive Weakness of Age and Seeming Naivety ; a. Old Age Can Deceive ; b. Naivety Can Deceive ; CHAPTER 2: SELLING THE STORIES ; A. Advertising ; 1. The Importance of Advertising ; 2. Where To Operate And How To Build a Reputation ; 3. Show Generosity ; 4. Entertain ; 5. Draw Attention by Engaging in Attention Drawing Conflicts ; B. Recruiting Helpers ; 1. Cooperation, Competition and Congregation Among Con Artists ; 2. Birds of a Feather Flock Together ; C. How Do Con Artists Approach Their Victims? ; 1. From Family and Friends to Institutions to Affinity Groups ; a. Introduction ; b. Affinity Groups: Ethnic and Religious Groups ; c. Religious Institutions ; d. Hybrid Institutions And Overtones ; 2. Technology Has a Growing Impact On The Growth Of Ponzi Schemes ; D. The Sales Force ; 1. Collecting and Distributing Information ; 2. Paid Sales Force ; 3. A Pure Sales Structure: Pyramid Schemes ; CHAPTER 3 CON ARTISTS' BEHAVIOR SEEMS Ashow more

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