Poetry After Auschwitz : Remembering What One Never Knew
In this pathbreaking study, Susan Gubar demonstrates that Theodor Adorno's famous injunction against writing poetry after Auschwitz paradoxically inspired an ongoing literary tradition. From the 1960s to the present, as the Shoah receded into a more remote European past, North American and British writers struggled to keep its memory alive.
Many contemporary writers, among them Anthony Hecht, Gerald Stern, Sylvia Plath, William Heyen, Michael Hamburger, Irena Klepfisz, Adrienne Rich, Jorie Graham, Jacqueline Osherow, and Anne Michaels, grappled with personal and political, ethical and aesthetic consequences of the disaster. Through confessional verse and reinventions of the elegy, as well as documentary poems about photographs and trials, poets serve as proxy-witnesses of events that they did not experience firsthand. By speaking about or even as the dead, these men and women of letters elucidate what it means to cite, reconfigure, consume, or envy the traumatic memories of an earlier generation. As the testimonies of eyewitnesses come to a close, this moving meditation by a major feminist critic finds in poetry a stimulant to empathy that can help us take to heart what we forget at our own peril.
- Paperback | 340 pages
- 144 x 224 x 24mm | 498.95g
- 18 Oct 2006
- Indiana University Press
- Bloomington, IN, United States
- 20 b&w photos, 1 color photos
Other books in this series
01 Aug 1990
22 Nov 1997
Table of contents
Masters of Disaster
Suckled by Panic
About Pictures out of Focus
Documentary Verse Bears Witness
The Dead Speak
"Could You Have Made an Elegy for Every One?"
Poetry and Survival
art with sensitivity, introspection, respect, and humanity in a clear, readable, and elegant prose. Gubar's book will prove to be a seminal work in Holocaust studies. * H-Holocaust *
About Professor Susan Gubar