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In the board game 'Othello', players must turn double-sided counters to their advantage. This doubleness is shared by Shakespeare's play of 1604, marked from its outset by a dual and paradoxical title Othello, or the Moor of Venice. This study cites instances of doubleness, duplication and paradox to discuss the play's language and its themes.
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Product details

  • Paperback | 144 pages
  • 136 x 212 x 10mm | 199.58g
  • Northcote House Publishers Ltd
  • Tavistock, United Kingdom
  • English
  • 0746309996
  • 9780746309995
  • 1,083,750

About Emma Smith

Emma Smith is Fellow in English, Hertford College, University of Oxford. She has written A Guide to Criticism: Shakespeare's Comedies, Shakespeare's Tragedies, Shakespeare's Histories (2004) and Shakespeare Introduction: Henry V.
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