On Brokeback Mountain : Meditations about Masculinity, Fear, and Love in the Story and the Film
On Brokeback Mountain provides accessible, close, and comparative readings of the story and the film, discussing them in relation to the social history of sexual minority men in America. By analyzing the literary and artistic traditions of the homoerotic pastoral, the popular tradition of the Western, and the tradition of the tragic romantic love story, the book explores the American cultural construction of masculinity, friendship, and sexual relationships between men, and the sources and effects of homophobia.
- Paperback | 370 pages
- 152 x 226 x 28mm | 521.63g
- 31 Mar 2008
- Lexington Books
- Lanham, MD, United States
Table of contents
Chapter 1 Introduction. About the Book Chapter 2 Prologue. March 5, 2006: Reactions to Brokeback Mountain Chapter 3 Chapter 1. "A Companion Where None Had Been Expected": Friendship Chapter 4 Chapter 2. " 'Gun's Goin Off' " Sex Chapter 5 Chapter 3. "The Rushing Cold of the Mountain": Nature Chapter 6 Chapter 4. " 'We Do That in the Wrong Place We'll Be Dead' ": Hatred and Fear Chapter 7 Chapter 5. "Separate and Difficult Lives": Love Chapter 8 Chapter 6. " 'What We Got Now Is Brokeback Mountain. Everything Built on That' ": Memory Chapter 9 Chapter 7. "The Pair Like Two Skins, One Inside the Other, Two in One": Myths of Love
This reader-friendly and thorough study of Brokeback Mountain enhances our enjoyment of the film and the original story, and expands our awareness of crucial social justice issues. A personal essay as well as an enlightened volume of cultural criticism, this study moves, informs, and creates a community of readers. A groundbreaking inquiry in gender studies, Eric Patterson's new work gives us language for what it means not only to be masculine, but to be human. -- Marilyn Kallet, University of Tennessee and author of fourteen books, including Circe, After Hours and co-editor of Sleeping With One Eye Open: A brilliant, powerful investigation that makes sense of the sensational reception of the 2005 Ang Lee film and traces the beauty of it back to the Annie Proulx short story it was based on, this is a book for everyone who saw Brokeback Mountain or read about it. Eric Patterson's writing will remind you of that one inspiring English teacher whose class you wish you could take again, dazzling you with funny and intriguing insights about the political and literary contexts of both the film and fiction. Companionable with current scholarship theorizing space, regionalism, and the rural homosexual, On Brokeback Mountain is also a timely contribution to significant discussions about how gay and lesbian studies and queer theory have myopically focused on urban identities. This book is as poignant as the movie it elucidates and will be just as gratefully embraced by freshmen and farmers alike. -- Carol Mason, University of Kentucky Eric Patterson's new book is at once useful and inspiring. Through attentive and insightful readings of Annie Proulx's powerful story and Ang Lee's moving film, Patterson not only brilliantly explicates these significant works of art, but also places them in a variety of revealing contexts. The result is cultural criticism at its finest: informative, committed, passionate, humane. -- Claude J. Summers, William E. Stirton Professor Emeritus in the Humanities at University of Michigan-Dearborn and General Editor, www.glbtq.com, an Before reading this book, I thought I appreciated the achievements of Brokeback Mountain. I am grateful for Eric Patterson's passionate and richly insightful illumination - of the story and film as artistic works, and of the cultural realities that informed their creation and fuel their potency. -- Will Fellows, author of A Passion to Preserve: Gay Men as Keepers of Culture and Farm Boys: Lives of Gay Men from the Rural Midwest, a finalist for the Lambda Literary Award in 1997. Eric Patterson's book is a success on three levels. It can be read as a companion to understanding the film and story; it can be used as a text in studying the social impact of the film and story at the university level; and whether you are a veteran of our forum discussions or newly struck by Brokeback fever, this book will add an extra dimension to your appreciation of Brokeback Mountain as a masterpiece of modern literature and film. The Ultimate Brokeback Forum, March 2008 When Owen Wister invented the Western in his best-selling 1902 novel, The Virginian, he placed at the heart of the genre the love that "dare not speak its name," with an eastern narrator enamored of a stalwart ex-Virginian. A century later, Brokeback Mountain caused a critical eruption in its frank exploration of the passion that has always been a part of cowboy life. The triumph of Eric Patterson's study of both Proulx's story and Ang Lee's film is to show how fully the narrative of Jack and Ennis is a part of our national romance. In nuanced chapters, Patterson explores a series of related issues-the elegy, histories of homosexuality, Whitman's poetry, romantic love, ranging in the process from Virgil's Eclogues to Kinsey's studies of sexuality-all in an effort to understand at once the triumph of Brokeback Mountain as narrative and its separate stylistic achievements, as well as the torrent of slurs against its basic premise. Patterson is an impassioned reader, though never intemperate, and through a careful accumulation of readings of every aspect of both story and film, makes his case simply, successfully, elegantly, that this is not only a triumph of the genre, but a masterpiece in its own right. -- Lee C. Mitchell, Holmes Professor of Belles-Lettres and professor of English at Princeton University and author Westerns: Making the Man in Fi Eric Patterson has created...[a] reader-friendly examination of the short story and the film adaptation...Brokeback fans will want to read this thorough analysis...Patterson's book is a powerful tribute to the story and film. Gay and Lesbian Review Well researched and nicely written ... insightful not only into the Brokeback Mountain narrative but also into the troubling history of sexual prejudice. Journal of American Culture, March 2009
About Eric Patterson
Eric Patterson is associate professor of American Studies and American Literature at Hobart and William Smith Colleges.