Off Key : When Film and Music Won't Work Together
In Off Key, Kay Dickinson offers a compelling study of how certain alliances of music and film are judged aesthetic failures. Based on a fascinating and wide-ranging body of film-music mismatches, and using contemporary reviews and histories of the turn to post-industrialization, the book expands the ways in which the union of the film and music businesses can be understood. Moving beyond the typical understanding of film music that privileges the score, Off Key also incorporates analyses of rock 'n' roll movies, composer biopics, and pop singers crossing over into acting. By doing this, it provides a fuller picture of how two successful entertainment sectors have sought out synergistic strategies, ones whose alleged "failures" have much to tell about the labor practices of the creative industries, as well as our own relationship to them and to work itself. A provocative and politically-conscious look at music-image relations, Off Key will appeal to students and scholars of film music, cinema studies, media studies, cultural studies, and labor history.
- Paperback | 264 pages
- 154.94 x 228.6 x 20.32mm | 430.91g
- 27 Mar 2008
- Oxford University Press
- Oxford, United Kingdom
Table of contents
"DOESN'T WORK"; OF MUSIC": THE MIGRATION OF CINEMA INTO ROCK 'N' ROLL; RUSSELL'S COMPOSER BIOPICS AND THE UNEASY REALIGNMENT OF; WORK AND CULTURE; INCOMPATIBLE SOUNDS OF "VIDEO NASTIES"; CELEBRITY "FLEXIBILITY"
I admire enormously the ambition and originality of the study * Bruce Johnson, Popular Music * an inspiring contribution to the debate on the meaningful difference between film and music, infusing the discussion of film music with a rare sense of political urgency and great intellectual depth. * Carlo Cenciarelli, Music and Letters *
About Kay Dickinson
Kay Dickinson is a Lecturer in Cultural Studies within the Media and Communications Department of Goldsmiths College, University of London. She is editor of Movie Music: The Film Reader (2002) and co-editor of Teen TV: Genre, Consumption and Identity (2004).