Music and Concert Hall Acoustics

Music and Concert Hall Acoustics : Conference Proceedings from MCHA 1995

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Description

Based on the 1995 Music and Concert Hall Acoustics conference, this volume examines the fundamental relationship between the music, the concert hall and the listener. Chapters cover topics including the analysis of music signals, adjustment of music to a particular music hall, and the temporal and spatial properties of sound fields. The book also considers the fusing of acoustics and architecture, design studies of concert halls, and design studies of acoustic spaces and electroacoustic systems, and the most suitable materials to be used in concert hall construction.
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Product details

  • Paperback | 433 pages
  • 152.4 x 231.14 x 22.86mm | 748.42g
  • Academic Press Inc
  • San Diego, United States
  • English
  • 340 b&w illustrations, 48 colour illustrations
  • 0120595559
  • 9780120595556

Table of contents

Sound and figure - concert design, F. Maki; designing a contemporary classic concert hall using computer graphics, Y. Ikeda; architecture as light, sound and time, T.L. Bosworth; global subjective evaluations for design of sound fields and individual subjective preference for seat selection, Y. Ando and P.K. Singh; calculation and measurement of acoustic factors at each seat in the Kirishima International Concert Hall, T. Nakajima and Y. Ando; a sound simulation system for seat selection, M. Sakurai et al; sound reinforcement system of the Kirishima International Concert Hall, M. Takeuchi et al; computer assisted methods and acoustic quality - recent application cases, A. Cocchi et al; selective reflection and acoustic coupling in concert hall design, C. Jaffe; auditorium sound field control by movable architectural elements, R.L. McKay; a comparison of measured cross correlations in small auditoriums, D. Noson; the subjective evaluation of source locations on the stage by listeners, S. Sato et al; inter-individual differences in subjective preference judgements of sound fields, H. Sakaai et al; the just noticeable difference in variable delay time of the single reflection, Y. Ueda et al; historical background of concert hall acoustics in Japan - art and concept, M. Nagamoto; probability and number theory in concert hall acoustics, M.R. Schroeder; diffuse onset of reverberation, P. Damaske; a design method for optimum acoustic diffusers, D. Takahashi; sound reflection from periodical uneven surfaces, K. Masuda and K. Fujiwara; numerical study of the energy dissipation in QR diffusors, H. Onitsuka and F. Kawakami; sound reflection and absorption of a QR-type Schroeder diffuser, K. Fujiwara; effect of inharmonicity of a piano on tuning, H. Suzuki; charcteristics of the short-term autocorrelation function of sound signals on piano performances, T. Taguti and Y. Ando; chaotic properties of higher modes in a two-dimensional field, M. Tohyama et al; transient interaural cross correlation function in rooms, H. Yanagawa; the autocorrelation function of sound at each seat in a hall, I.G.N. Merthayasa and Y. Ando; acoustic design and characteristics of the atrium for a music performance in a hotel, Y. Kobayashi, II et al; a new method of calculating speech intelligibility with respect to the delay time of reflections, Y. Korenaga; relationships among articulation, audability and STI under reverberation fields, H. Sato et al; the architectural and acoustic design of a circular event hall in Kobe fashion plaza, A. Takatsu et al; determination of categories of acoustical quality in concert halls using the interview method, L.L. Beranek; some considerations of interaural cross correlation and lateral fraction as measures of spaciousness in concert halls, T. Hidaka et al; binaural modelling of spaciousness and coloration, P.A. Bilsen; uncertain factors in acoustical design, M. Nagata; analysis of diffusibility in sound (Part contents)
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