By (author) 

Free delivery worldwide

Available. Dispatched from the UK in 3 business days
When will my order arrive?


Claude Monet (1840-1926) is one of the most admired and famous painters of all time, and the architect of Impressionism: a revolution that gave birth to modern art. His technique - painting out of doors, at the seashore or in the city streets - was as radically new as his subject matter, the landscapes and middle-class pastimes of a newly industrialized Paris. Painting with an unprecedented immediacy and authenticity, Monet claimed that his work was something new: both natural and true.

In this new introductory study, James H. Rubin - one of the world's foremost specialists in 19th-century French art - traces the development of Monet's practice, from his early work as a caricaturist to the late paintings of waterlilies and his garden at Giverny. Rubin explores the cultural currents that helped to shape Monet's work: the utopian thought that gave rise to his politics; his interest in Japanese prints, gardening, and trends in the decorative arts; and his relationship with earlier French landscape painters as well as such contemporaries as Manet and Renoir.
show more

Product details

  • Paperback | 224 pages
  • 150 x 210 x 17.78mm | 520g
  • London, United Kingdom
  • English
  • 159 Illustrations, unspecified
  • 0500204470
  • 9780500204474
  • 86,335

Table of contents

Introduction * 1. Defying Traditions: From Caricaturist to Career * 2. Defining Impressionism: Aspects of Modernity * 3. Interludes and Crises: Personal, Public and Pictorial * 4. The Picturesque as Turning Point: Travels, Sites and Series * 5. Poetry in the Garden: The Decorative, the 'Water Lilies' and Art Nouveau * 6. Vision and Subjectivity: Seeing with the Body * 7. Political Contexts: Nationalism and Utopia * 8. A Lasting Legacy: The Patriarch of Modern Art
show more

About James H. Rubin

James Henry Rubin is an art historian specializing in the history, theory
and criticism of nineteenth-century European art, especially that of
France. He is currently Professor of Art History at The State University
of New York at Stony Brook, where he was department chair for fifteen
show more