Mary, Music, and Meditation

Mary, Music, and Meditation : Sacred Conversations in Post-Tridentine Milan

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Burdened by famine, the plague, and economic hardship in the 1500s, the troubled citizens of Milan, mindful of their mortality, turned toward the veneration of the Virgin Mary and the creation of evangelical groups in her name. By 1594 the diversity of these lay religious organizations reflected in microcosm the varied expressions of Marian devotion in the Italian peninsula. Using archival documents, meditation and music books, and iconographical sources, Christine Getz examines the role of music in these Marian cults and confraternities in order to better understand the Church's efforts at using music to evangelize outside the confines of court and cathedral through its most popular saint. Getz reveals how the private music making within these cults, particularly among women, became the primary mode through which the Catholic Church propagated its ideals of femininity and motherhood.
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Product details

  • Hardback | 368 pages
  • 160.02 x 233.68 x 27.94mm | 635.03g
  • Indiana University Press
  • Bloomington, IN, United States
  • English
  • 19 b&w illus., 15 music exx.
  • 0253007879
  • 9780253007872

Review quote

A welcome and growing trend in scholarship on Renaissance sacred music is an expanding view of the spiritual concerns and devotional practices that surrounded and impelled the composition, performance, listening, and perception of music. Christine Getz's study of institutional, ritual, and personal Marian devotion in Milan joins that conversation. Getz bases her findings on primary-source documents, on music printed or published in close conjunction with the institutions, and on the scholarship of Italian and Milanese religious culture of the period. * Rennaisance Quarterly * Mary, Music and Meditation contains a wealth of scholarship of great interest to historians and musicologists alike. The appendices to the book supply nearly 150 pages of archival transcriptions, and musical examples that will serve many scholars as research and teaching resources. * Journal of Jesuit Studies *
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About Christine Getz

Christine Getz is Associate Professor of Musicology and Dean's Scholar at the University of Iowa.
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Table of contents

AcknowledgementsIntroduction1. Venerating the Veil: The Madonna Of Miracles at Santa Maria presso San Celso2. The Art of Lamenting: The Cult of the Madonna Addolorata at Santa Maria dei ServiHistory of the Cult of the Madonna Addolorata3. Singing before a Madonna on the Pilaster: The Society of the Ave Maria in Duomo4. Invoking the Mulier Fortis: The Confraternity of The Rosary5. Clothed in the Sun and Standing on the Moon: Meditating Motherhood in the Cult of the Madonna del PartoEpilogue: The Case of Santa Maria SegretaAppendix A: DocumentsAppendix B: Pay records for the singers of the Ave Maria in DuomoAppendix C: Contents of Selected Collections by Milanese ComposersAppendix D: Musical ExamplesNotesBibliographyIndex
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