Mars by 1980
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Mars by 1980 : The Story of Electronic Music

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Electronic music is now ubiquitous, from mainstream pop hits to the furthest reaches of the avant-garde. The future, a long time coming, finally arrived. But how did we get here?

In Mars by 1980, David Stubbs charts the evolution of electronic music from the earliest mechanical experiments in the late nineteenth century to the pre-World War 1 inventions of the Futurist Luigi Russolo, author of the 'Art Of Noises' manifesto. He takes us through the musique concrete of radical composers such as Edgard Varese, Pierre Schaeffer, and Karlheinz Stockhausen, to the gradual absorption of electronic instrumentation into the mainstream: be it through the BBC Radiophonic Workshop and the work of pioneers like Delia Derbyshire, grandiose prog rock, or the more DIY approach of electronica, house, and techno.

It's a tale of mavericks and future dreamers overcoming Luddite resistance, malfunctioning devices, and sonic mayhem. Its beginnings are in the world of avant-classical composition, but the book also encompasses the cosmic funk of Stevie Wonder, Giorgio Moroder, and unforgettable 80s electronic pop from the likes of Depeche Mode, the Pet Shop Boys, and Laurie Anderson - right up to present day innovators on the underground scene. But above all, it's an essential story of authenticity: is this music? Is it legitimate? What drew its creators to make it? Where does it stand, in relation to rock and pop, classical and jazz music, to the modern society that generated it? And why does it resonate more strongly than ever in our own postmodern, seemingly post-futurist times? Mars by 1980 is the definitive account that answers these questions.
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Product details

  • Paperback | 448 pages
  • 153 x 234 x 32mm | 642g
  • London, United Kingdom
  • English
  • Main
  • 0571323979
  • 9780571323975
  • 89,689

About David Stubbs

David Stubbs is a British author and music journalist. Alongside Simon Reynolds, he was one of the co-founders of the Oxford magazine Monitor before going on to join the staff at Melody Maker. He later worked for NME, Uncut and Vox, as well as the Wire. His work has appeared in The Times, Sunday Times, Spin, Guardian, Quietus and GQ. He has written a number of books, including a song-by-song profile of Jimi Hendrix and Fear Of Music: Why People Get Rothko But Don't Get Stockhausen, a comparative study of twentieth-century avant-garde music and art. He lives in London.
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Rating details

59 ratings
3.86 out of 5 stars
5 25% (15)
4 39% (23)
3 32% (19)
2 3% (2)
1 0% (0)
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