A Manual of the Historical Development of Art
This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1876 edition. Excerpt: ...These sepulchres are without any artistic stamp; on some fa ades we can see the Egyptian fluted corona. The fagades of the so-called royal tombs of Jacob or the judges are decorated in a Greek style, as are the tombs of Zacharias and Absalom; the latter stand out from the rock as independent structures, ornamented with Ionic pillars, and above the Egyptian corona rises a pyramidal or conical structure; a combination of the pre-historic tumulus with Egyptian and classic elements. Something is borrowed from everyone to make up a chosen national element. In books or in conversation this may avail, but in art, where the outer impression is to create a corresponding sensation, assertions must be borne out by visible productions, and to falsify architectural records is much more difficult than to interpolate passages, alter dates, or make assertions in utter defiance of probability and possibility. The Hebrews, whether as Jews or Israelites, had no art, and never pretended to have one; they were contented with the art-products which other nations made for them, in perfect accordance with the clearly-expressed promise of the God of Abraham, Isaac, and Jacob: That He would give them great and goodly cities, which they would not build; and houses full of good things, which they would not fill; and wells digged, which they would not dig; and vineyards and olive trees, which they would not plant.' With such principles neither architecture, sculpture, nor ornamentation could flourish. Art in Asia never became master of matter from an esthetical point of view, for, in all these works, matter sways the mind; it is either an exhibition of precious stones on walls, or lace-work in marble, or endless heaps of huge granite blocks and columns without purpose, ...
- Paperback | 72 pages
- 189 x 246 x 4mm | 145g
- 11 Jul 2012
- Miami Fl, United States
- Illustrations, black and white