"Love and Treasure places the Hungarian Gold Train at the heart of a multigenerational tale. . . Crucial to its plot is an enameled pendant, intricately worked in the design of a peacock, unusually colored in purple, white and green. Waldman skillfully interweaves this striking and enigmatic object--a symbol, as the book progresses, of fatal bad luck--into an ambitious sweep of history, setting the loss of millions of human lives against the pendant's own poignant, improbably survival. . . In the novel's final, twisty section, Waldman has great fun with the narrative of a pompous, libidinous psychoanalyst in seemingly idyllic, assimilated, pre-World War I Budapest. . . Waldman sustains her multiple plot lines with breathless confidence and descriptive panache, fashioning complex personalities caught up in an inexorable series of events. . . Powerful."
--Catherine Taylor, "The New York Times Book Review
"Waldman is a wonderfully imaginative writer . . . absorbing . . . As with the painting in Susan Vreeland's "Girl in Hyacinth Blue" and the manuscript in Geraldine Brooks's "People of the Book" the link between these separate stories in "Love and Treasure" is a pendant decorated with the picture of a peacock. In Waldman's exceedingly clever treatment, this piece of jewelry is not intrinsically valuable; it accrues value only as it passes from one unlikely hand to another, demonstrating the curious and tragic ways that history binds us together. . . a tense and romantic story that never seems polemical or overdetermined. . . a marvelous panorama of early 20th-century attitudes about women . . . Moving."
--Ron Charles, "The Washington Post"
"What ethics govern the custodians of property that can never be returned? How do the personal and the political intertwine in the wake of historical tragedy? These questions permeate the novel . . . Charming . . . The failings of the characters imbues them with a fuller and more complex humanity . . . the book'show more