Excerpt: ... thoughts of metre and verse forms. Second: Read William Hazlitt's essay "On Poetry in General." This essay is the first in the book entitled Lectures on the English Poets. It can be bought in various forms. I think the cheapest satisfactory edition is in Routledge's "New Universal Library" (price 1s. net). I might have composed an essay of my own on the real harmless nature of poetry in general, but it could only have been an echo and a deterioration of Hazlitt's. He has put the truth about poetry in a way as interesting, clear, and reassuring as anyone is ever likely to put it. I do not expect, however, that you will instantly gather the full message and enthusiasm of the essay. It will probably seem to you not to "hang together." Still, it will leave bright bits of ideas in your mind. Third: After a week's interval read the essay again. On a second perusal it will appear more persuasive to you. pg 81 Fourth: Open the Bible and read the fortieth chapter of Isaiah. It is the chapter which begins, "Comfort ye, comfort ye, my people," and ends, "They shall run and not be weary, and they shall walk and not faint." This chapter will doubtless be more or less familiar to you. It cannot fail (whatever your particular ism) to impress you, to generate in your mind sensations which you recognise to be of a lofty and unusual order, and which you will admit to be pleasurable. You will probably agree that the result of reading this chapter (even if your particular ism is opposed to its authority) is finer than the result of reading a short story in a magazine or even an essay by Charles Lamb. Now the pleasurable sensations induced by the fortieth chapter of Isaiah are among the sensations usually induced by high-class poetry. The writer of it was a very great poet, and what he wrote is a very great poem. Fifth: After having read it, go back to Hazlitt, and see if you can find anything in Hazlitt's lecture which throws light on the psychology of your own...
- Paperback | 30 pages
- 189 x 246 x 2mm | 73g
- 13 Sep 2013
- Illustrations, black and white