Leonardo da Vinci. The Complete Paintings and Drawings
Leonardo da Vinci (1452-1519) possessed one of the greatest minds of all time; his importance and influence are inestimable. This two-volume, midsize-format comprehensive survey is the most complete book ever made on the subject of this Italian painter, sculptor, architect, engineer, scientist, and all-around genius. With huge full-bleed details of Leonardo's masterworks, this highly original publication allows the reader to inspect the subtlest facets of his brushstrokes. Book I explores Leonardo's life and work in ten chapters. All of his paintings are interpreted in depth, with The Annunciation and The Last Supper featured on large double-spreads. It also comprises a catalogue raisonne of Leonardo's paintings, which covers all of his surviving and lost painted works and includes texts describing their states of preservation.Book II contains an extensive catalogue of his drawings (numbering in the thousands, they cannot all be reproduced in one book); 663 are presented, arranged by category (architecture, technical, anatomical, figures, proportion, cartography, etc).Now available as a two-volume edition at an irresistible price!
- Hardback | 700 pages
- 223.52 x 294.64 x 45.72mm | 2,812.26g
- 29 Aug 2011
- Taschen GmbH
- Cologne, Germany
"... art book of the year and a landmark in illustrated book publishing."
About Frank Zöllner
Frank Zollner wrote his doctoral theses on artistic and architectural theory (1987) and Leonardo Da Vinci (1996). He has written numerous publications on the art and artistic theory of the Renaissance and on Paul Klee. Since 1996 he has been Professor of Renaissance and Modern Art at Leipzig University. For TASCHEN he has authored the XL monographs on Leonardo da Vinci and Michelangelo. Johannes Nathan studied art history at New York University and the Courtauld Institute of Art in London, where he earned his Ph.D. in 1995 with a dissertation on the working methods of Leonardo da Vinci. He has taught at New York University and at the University of Berne, Switzerland, and is the author of a range of publications on the art of the Italian Renaissance.