Kristin Lavransdatter: 1:the Wreath
Undset's ability to present a meticulously accurate historical portrait without sacrificing the poetry and narrative drive of masterful storytelling was particularly significant in her homeland. Granted independence in 1905 after five hundred years of foreign domination, Norway was eager to reclaim its national history and culture. Kristin Lavransdatter became a touchstone for Undset's contemporaries, and continues to be widely read by Norwegians today. In the more than 75 years since it was first published, it has also become a favorite throughout the world. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
- Paperback | 336 pages
- 128 x 198 x 20.32mm | 233g
- 26 Feb 1998
- Penguin Putnam Inc
- New York, NY, United States
- Open market ed
Other books in this series
26 Feb 1998
20 Dec 2007
Back cover copy
"[My favorite fictional hero or heroine is] probably Sigrid Undset's strong-willed, sensual, self-destructive and ultimately rock-solid Kristin Lavransdatter. . . . Kristin's eponymous trilogy bears many rereadings. Right away one somehow identifies with this daughter of medieval Norway; soon one compassionates her in her sufferings. . . . For all her faults [she] inspires love in many around her, including this reader. Her faith and loyalty make her quite beautiful to me. Like Murasaki and Dos Passos, Undset tells the story of a whole life." --William T. Vollman, The New York Times Book Review "We consider it the best book our judges have ever selected and it has been better received by our subscribers than any other book." --Book-of-the-Month Club "The finest historical novel our 20th century has yet produced; indeed it dwarfs most of the fiction of any kind that Europe has produced in the last twenty years." --Contemporary Movements in European Literature "As a novel it must be ranked with the greatest the world knows today." --Montreal Star "Sigrid Undset's trilogy embodies more of life, seen understandingly and seriously . . . than any novel since Dostoevsky's Brothers Karamazov. It is also very probably the noblest work of fiction ever to have been inspired by the Catholic art of life." --Commonweal "The first great story founded upon the normal events of a normal woman's existence. It is as great and as rich, as simple and as profound, as such a story should be." --Des Moines Register "No other novelist, past or present, has bodied forth the medieval world with such richness and fullness of indisputable genius. . . . One of the finest minds in European literature." --New York Herald Tribune "A master . . . writing in a prose as vigorous, articulate and naturalistic as the novel it re-creates, Tiina Nunnally brilliantly captures a world both remote and strangely familiar." --Judges' citation, PEN/Book-of-the-Month Club Translation Prize
About Translted with an Introduction and Notes by Tiina Nunnally Sigrid Undset
Undset's first published works--the novel Mrs. Marta Oulie (1907) and a short-story collection The Happy Age (1908)--were set in contemporary times and achieved both critical and popular success. With her reputation as a writer well-established, Undset had the freedom to explore the world that had first fired her imagination, and in Gunnar's Daughter (1909) she drew upon her knowledge of Norway's history and legends, including the Icelandic Sagas, to recreate medieval life with compelling immediacy. In 1912 Undset married the painter Anders Castus Svarstad and over the next ten years faced the formidable challenge of raising three stepchildren and her own three off-spring with little financial or emotional support from her husband. Eventually, she and her children moved from Oslo to Lillehammer, and her marriage was annulled in 1924, when Undset converted to Catholicism.
Although Undset wrote more modern novels, a collection of essays on feminism, as well as numerous book reviews and newspaper articles, her fascination with the Middle Ages never ebbed, and in 1920 she published The Wreath, the first volume of her most famous work, Kristin Lavransdatter. The next two volumes quickly followed--The Wife in 1921, and The Cross in 1922. The trilogy earned Undset worldwide acclaim, and her second great medieval epic--the four-volume The Master of Hestviken (1925-1927) --confirmed her place as one of the twentieth century's greatest writers. In 1928, at the age of 46, she received the Nobel Prize for Literature, only the third woman to be so honored.
Undset went on to publish more novels--including the autobiographical The Longest Years--and several collections of essays during the 1930s. As the Germans advanced through Norway in 1940, Undset, an outspoken critic of Nazism, fled the country and eventually settled in Brooklyn, New York. She returned to her homeland in 1945, and two years later she was awarded Norway's highest honor for her "distinguished literary work and for service to her country." The years of exile, however, had taken a great toll on her, and she died of a stroke on June 10, 1949.