Kristin Lavransdatter: 1:the Wreath
Undset's ability to present a meticulously accurate historical portrait without sacrificing the poetry and narrative drive of masterful storytelling was particularly significant in her homeland. Granted independence in 1905 after five hundred years of foreign domination, Norway was eager to reclaim its national history and culture. Kristin Lavransdatter became a touchstone for Undset's contemporaries, and continues to be widely read by Norwegians today. In the more than 75 years since it was first published, it has also become a favorite throughout the world. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
- Paperback | 336 pages
- 127 x 205.74 x 22.86mm | 249.47g
- 01 Dec 1997
- Penguin Putnam Inc
- New York, NY, United States
- Open market ed
Other books in this series
01 Dec 1997
01 Nov 1999
Winner of the 2014 Type Directors Club Communication Design Award
Praise for Kristin Lavransdatter:
"A master...writing in a prose as vigorous, articulate and naturalistic as the novel it re-creates, Tiina Nunnally brilliantly captures a world both remote and strangely familiar."
-PEN/Book-of-the-Month Club Translation Prize citation
Praise for Penguin Drop Caps:
"[Penguin Drop Caps] convey a sense of nostalgia for the tactility and aesthetic power of a physical book and for a centuries-old tradition of beautiful lettering."
"Vibrant, minimalist new typographic covers.... Bonus points for the heartening gender balance of the initial selections."
--Maria Popova, Brain Pickings
"The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of Great Expectations? Because they're beautiful objects. Paul Buckley and Jessica Hische's fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen's A (Pride and Prejudice) is formed by opulent peacock feathers and Charlotte Bronte's B (Jane Eyre) is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf."
--Rex Bonomelli, The New York Times
"Classic reads in stunning covers--your book club will be dying."
Back cover copy
About Sigrid Undset
Although Undset wrote more modern novels, a collection of essays on feminism, as well as numerous book reviews and newspaper articles, her fascination with the Middle Ages never ebbed, and in 1920 she published The Wreath, the first volume of her most famous work, Kristin Lavransdatter. The next two volumes quickly followed--The Wife in 1921, and The Cross in 1922. The trilogy earned Undset worldwide acclaim, and her second great medieval epic--the four-volume The Master of Hestviken (1925-1927) --confirmed her place as one of the twentieth century's greatest writers. In 1928, at the age of 46, she received the Nobel Prize for Literature, only the third woman to be so honored.
Undset went on to publish more novels--including the autobiographical The Longest Years--and several collections of essays during the 1930s. As the Germans advanced through Norway in 1940, Undset, an outspoken critic of Nazism, fled the country and eventually settled in Brooklyn, New York. She returned to her homeland in 1945, and two years later she was awarded Norway's highest honor for her "distinguished literary work and for service to her country." The years of exile, however, had taken a great toll on her, and she died of a stroke on June 10, 1949.