Japanese Mythology in Film

Japanese Mythology in Film : A Semiotic Approach to Reading Japanese Film and Anime

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A cyborg detective hunts for a malfunctioning sex doll that turns itself into a killing machine. A Heian-era Taoist slays evil spirits with magic spells from yin-yang philosophy. A young mortician carefully prepares bodies for their journey to the afterlife. A teenage girl drinks a cup of life-giving sake, not knowing its irreversible transformative power. These are scenes from the visually enticing, spiritually eclectic media of Japanese movies and anime. The narratives of courageous heroes and heroines and the myths and legends of deities and their abodes are not just recurring motifs of the cinematic fantasy world. They are pop culture's representations of sacred subtexts in Japan. Japanese Mythology in Film takes a semiotic approach to uncovering such religious and folkloric tropes and subtexts embedded in popular Japanese movies and anime. Part I introduces film semiotics with plain definitions of terminology. Through familiar cinematic examples, it emphasizes the myth-making nature of modern-day film and argues that semiotics can be used as a theoretical tool for reading film. Part II presents case studies of eight popular Japanese films as models of semiotic analysis. While discussing each film's use of common mythological motifs such as death and rebirth, its case study also unveils more covert cultural signifiers and folktale motifs, including jizo (a savior of sentient beings) and kori (bewitching foxes and raccoon dogs), hidden in the Japanese filmic text.show more

Product details

  • Hardback | 262 pages
  • 158 x 236 x 24mm | 539.99g
  • Lexington Books
  • Lanham, MD, United States
  • English
  • 30 black & white halftones
  • 073919092X
  • 9780739190920
  • 1,513,183

About Yoshiko Okuyama

Yoshiko Okuyama is associate professor of Japanese studies at the University of Hawai'i at Hilo.show more

Review quote

A superb analysis of the relations between Japanese mythology, religion and folklore that will be of great value to anyone interested in Japanese culture and society. Using semiotic analysis, Okuyama offers readers a scholarly, yet accessibly written, study of Japanese films and anime such as Spirited Away, Princess Mononoke, and Departures. Highly recommended. -- Arthur Asa Berger, San Francisco State University Popular all over the world, anime are too often viewed only as part of globalized popular culture. Japanese Mythology in Film offers a much-needed interpretive method foregrounding these films' adaptation of culturally specific tropes from Japanese folktales, legends, and folk religious beliefs. Pedagogically suited to courses on fairy tales, myth, popular culture, and film as well as to Japanese language and culture courses, Okuyama's book shows how film and anime make Japanese traditional values relevant to reimagining the relationship of humans and nature. -- Cristina Bacchilega, University of Hawai'i at Manoa In Japanese Mythology in Film: A Semiotic Approach to Reading Japanese Film and Anime, Yoshiko Okuyama does a wonderful job of making theories of semiotics simple and easy to understand. Incorporating various current societal phenomena, Japanese Mythology in Film is an informative book for Japanese film and culture. -- Noriko Reider, Miami Universityshow more

Table of contents

Part I: Semiotics for Film Analysis Chapter 1: Introduction: What is Semiotics? Chapter 2: Reading Film: The Nature of Interpretation Chapter 3: Mythology in Film: Why Study Mythology in Popular Film and Anime? Chapter 4: Storytelling : What is in the Story? Chapter 5: Visual Literacy: What do We Get from Watching Film? Part II: Application: Case Studies of Japanese Film Analysis Chapter 6: Taoism and Shinto Symbolism: Onmyoji (2001) and Onmyoji II (2003) Chapter 7: Classic Literature Motifs in Spirited Away (2001) and Princess Mononoke (2000) Chapter 8: Motifs of Buddhism and Folklore in Dororo (2007) and Departures (2008) Chapter 9: Eclectic Myths in Mushi-shi (2006) and Ghost in the Shell 2: Innocence (2004) Chapter 10: Conclusion: Social Usage of Mythologyshow more

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