Jane Campion

Jane Campion : Authorship and Personal Cinema

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Alistair Fox explores the dynamics of the creative process involved in cinematic representation in the films of Jane Campion, one of the most highly regarded of contemporary filmmakers. Utilizing a wealth of new material-including interviews with Campion and her sister and personal writings of her mother-Fox traces the connections between the filmmaker's complex background and the thematic preoccupations of her films, from her earliest short, Peel, to 2009's Bright Star. He establishes how Campion's deep investment in family relationships informs her aesthetic strategies, revealed in everything from the handling of shots and lighting, to the complex system of symbolic images repeated from one film to the next.show more

Product details

  • Paperback | 288 pages
  • 152.4 x 228.6 x 20.32mm | 408.23g
  • Indiana University Press
  • Bloomington, IN, United States
  • English
  • 22 b&w illus.
  • 0253223016
  • 9780253223012
  • 694,468

Review quote

This is easily the best, most comprehensive book now available on Campion and her work. . . . Highly recommended.September 2011 * Choice * In his book, Alistair Fox finds and illuminates the relations between diegetic worlds and the life of a "New Zealand Australian", Jane Campion. * 25fps.cz *show more

About Alistair Fox

Alistair Fox is Professor of English and Director of the Centre for Research on National Identity at the University of Otago.show more

Table of contents

ContentsAcknowledgmentsIntroduction: Authorship, Creativity, and Personal Cinema1. Origins of a Problematic: The Campion Family2. The "Tragic Underbelly" of the Family: Fantasies of Transgression in the Early Films3. Living in the Shadow of the Family Tree: Sweetie4. "How painful it is to have a family member with a problem like that": Authorship as Creative Adaptation in An Angel at My Table5. Traumas of Separation and the Encounter with the Phallic Other: The Piano6. The Misfortunes of an Heiress: The Portrait of a Lady7. Exacting Revenge on "Cunt Men": Holy Smoke as Sexual Fantasy8. "That which terrifies and attracts simultaneously": Killing Daddy in In the Cut9. Lighting a Lamp: Loss, Art, and Transcendence in The Water Diary and Bright StarConclusion: Theorizing the Personal Component of AuthorshipNotesWorks CitedFilmographyIndexshow more

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