Imaging Blackness : Race and Racial Representation in Film Poster Art
These striking, colorful posters, selected from the more than one thousand housed at Indiana University's Black Film Center/Archive, graphically illustrate the artistic and thematic range of racial representation in the American film industry from its early days through the present. Chosen for their value as cultural artifacts, they combine art and commerce and are richly imbued with historical and social meanings that continue to engage and inform. The earliest posters, such as the one from pioneering black filmmaker Oscar Micheaux, represent truly independent productions. That crop of "race movies," dating from the late 1920s through the early 1940s, targeted a black audience hungry for respectful images of themselves. In Hollywood films, however, black life was often presented in contorted and narrowly defined ways, reflective of America's racial morass. Yet as a whole, the posters managed to capture the artistry, if not the full range, of black performance.Many of these posters appear in the touring exhibition "Imaging Blackness: Film Posters from the Black Film Center/Archive." Since they were originally produced as ephemera that would follow the distribution of the film and return to the studio, it is surprising that so many early posters featuring African Americans are still in existence. This collection includes some of the rarer examples.In addition to their relative merit as commercial art, the posters are visual cues to the social construction of race in our society as revealed by that most potent dream merchant, the Hollywood film industry. Designed to catch the eye, they also offer a window into the history of race relations in the 20th-century U.S. In his foreword to the collection, filmmaker Melvin Van Peebles notes the evolution of how blacks were portrayed in the posters. Ever so slowly, he writes, "you begin to see a few black faces minus the shovels and trays." These incremental changes are notable because they show the long, slow
- Paperback | 100 pages
- 210.8 x 276.9 x 10.2mm | 498.96g
- 01 Feb 2007
- Indiana University Press
- Bloomington, IN, United States
- 59 color illus., 3 b&w illus.
Imaging Blackness is invaluable for anyone interested in the history of black Hollywood, the study of race relations in America, and the emergence of African Americans in Hollywood and American society. . . . In essence, what this book is really about is how the power of images shapes conscience and society. . . . Recommended. General readers; lower-division undergraduates through faculty. * Choice * [T]hanks to this book, readers and moviegoers find a way to appreciate and acknowledge the brilliance of black performances in the selected movie posters, and recover a part of film history that is often neglected and obscured. Issue 7.1 * Film International *
About Audrey Thomas McCluskey
Audrey Thomas McCluskey is Associate Professor of Afro-American Studies and Director of the Black Film Center/Archive at Indiana University. She is editor of Frame by Frame III: A Filmography of the African Diasporan Image, 1994-2004 (IUP, 2006) and co-editor (with Elaine M. Smith) of Mary McLeod Bethune: Building a Better World (IUP, 2001). She lives in Bloomington, Indiana.
Table of contents
Foreword by Melvin Van PeeblesAcknowledgmentsIntroduction: Film Poster Art and Racial RepresentationFilm Posters Action/Crime Comedy Documentary Drama Musical Mystery/Thriller WesternBibliography / Further ReadingIndex