I Shall Destroy All The Civilized Planets! : The Fantastic Comics of Fletcher Hanks
Welcome to the bizarre world of Fletcher Hanks, Super Wizard of the Inkwell. Fletcher Hanks worked for only a few years in the earliest days of the comic book industry (1939-1941). Because he worked in a gutter medium for second-rate publishers on third-rate characters, his work has been largely forgotten. But among aficionados he is legendary. At the time, comic books were in their infancy. The rules governing their form and content had not been established. In this Anything Goes era, Hanks' work stands out for its thrilling experimentation. At once both crude and visionary, cold and hot as hell, Hanks' work is hard to pigeon hole. One thing is for certain: the stuff is bent. Hanks drew in a variety of genres depicting science-fiction saviors, white women of the jungle, and he-man loggers. Whether he signed these various stories "Henry Fletcher" or "Hank Christy" or "Barclay Flagg" there is no mistaking the unique outsider style of Fletcher Hanks. Cartoonist Paul Karasik (co-adapter of Paul Auster's City of Glass, and co-author of The Ride Together: A Memoir of Autism in the Family) has spent years tracking down these obscure and hard to find stories buried in the back of long-forgotten comic book titles. Karasik has also uncovered a dark secret: why Hanks disappeared from the comics scene. This book collects 15 of his best stories in one volume followed by an afterword which solves the mystery of "Whatever Happened to Fletcher Hanks," the mysterious cartoonist who created a hailstorm of tales of brutal retribution...and then mysteriously vanished. 2008 Eisner Award WINNER: Best Archival Collection/Project Comic Books 2008 Eisner Award Nominee: Best Short Story, "Whatever Happened to Fletcher Hanks?" by Paul Karasik"
- Paperback | 120 pages
- 215.9 x 276.86 x 15.24mm | 566.99g
- 25 Jun 2007
- Seattle, United States
- 1 Illustrations, unspecified
Fletcher Hanks couldn't draw much or write hardly at all. So he turned his crude and primitive quasi-gifts into a comic-art style that made a strong impression on kids like me back in the 1940s. It's a pleasure to see this first published edition of his puzzlingly effective work doing what early comic books were supposed to do: making up a new set of rules for a new kind of art form and almost getting away with it. --Jules Feiffer"