The Hummer : Myths and Consumer Culture
The Hummer: Myths and Consumer Culture is a study of the notorious automobile/sports utility vehicle. Featuring more than fifteen essays, this collection analyzes the Hummer through a wide array of disciplines, including material culture, marketing and advertising, popular culture, military technology, urban planning, and political economy. It provides a complete overview of the vehicle: production, marketing aspects, and cultural significance.
- Hardback | 284 pages
- 154.9 x 231.1 x 25.4mm | 544.31g
- 01 Apr 2007
- Lexington Books
- Lanham, MD, United States
Table of contents
Chapter 1 Foreword: Getting Behind the Wheel Chapter 2 Introduction Part 3 Part I: Myth and Space Chapter 4 A Gated Community on Wheels Chapter 5 The H3: Television Advertising and the Reconfigured Homeland Chapter 6 Becoming Auto-Mobile, or Taking a Road Less Traveled Chapter 7 The "Stop and Stare" Aesthetics of the Hummer: Aesthetic Illusion as an Independent Function Chapter 7 The Hummer: The Return of the Hard Body Part 8 Part II: Myth and Body Chapter 8 Primordial Enchantment: Print Media, Promotional Culture, and the Hummer's Siren Song Chapter 11 Armored Bodies: The Hummer, The Schwarzenegger Persona, and Consumer Appeal Chapter 12 The Hummer as Cultural and Political Myth: A Multi-Sited Ethnographic Analysis Part 13 Part III: Myth and Discourse Chapter 14 The H2-The Humvee's Kinder, Other Chapter 15 (R)evolutions: Myths of the Hummer in The New York Times Chapter 16 Homeland Security: The Hummer as Apocalyptic Vehicle Chapter 17 The Hummer as Brute Image Part 18 Part IV: Myth as Vehicle Chapter 19 Resisting Hummers through Visual Rhetoric: FUH2.com as Counterpublic Chapter 20 Auto Militarization: Citizen Soldiers, the Hummer, and the War on Terror Chapter 21 The Hummer: Race, Military, and Consumption Politics Chapter 22 I Am the Humvee
A superbly conceived case-book on the most disturbingly American commodity to be rolled out in the last turbo-boosted decade. Required reading! -- Andrew Ross, Professor of Social and Cultural Analysis, New York University, USA; author of Nice Work If You Can Get It: Life and Labor in Precarious Times This book shows that in extraordinary objects, like the Hummer, the deepest desires and anxieties of a culture can be located. The authors bring to bear multiple cultural and interpretive methodologies. Collectively, their accounts reveal the diverse discourses that make this strange transport a phenomenon that connects culture, economy, aesthetics, history, and subjectivity in a most powerful way. -- Ian Woodward, Griffith University, Australia This is an interesting book that explores the connection between products, culture and politics. It provides an innovative view of recent Amerian culture, and is an important addition to the growing body of work on consumer products and consumption. * American Studies, April 2008 * The guiding concern of Cardenas and Gorman's project is to understand the Hummer as a significant cultural object that is also a "moving contradiction"....The contradictions that the authors consequentially evoke and discuss in their particular social contexts are as insightful for Hummer admirers as they are alarming for Hummer-hating environmentalists. -- Marius K. Luedicke * Advertising & Society Review *
About Elaine Cardenas
Elaine Cardenas is the president of Redwood Incorporated and an instructor in the communication department and bachelor of independent studies program at George Mason University. Ellen L. Gorman is a doctoral student in the cultural studies program at George Mason University, and a lecturer at Georgetown University.