The Human Comedy

The Human Comedy

4.06 (170 ratings by Goodreads)
By (author)  , Edited by  , Translated by  , Translated by  , Translated by 

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An NYRB Classics Original Characters from every corner of society and all walks of life--lords and ladies, businessmen and military men, poor clerks, unforgiving moneylenders, aspiring politicians, artists, actresses, swindlers, misers, parasites, sexual adventurers, crackpots, and more--move through the pages of "The Human Comedy," Balzac's multivolume magnum opus, an interlinked chronicle of modernity in all its splendor and squalor. "The Human Comedy" includes the great roomy novels that have exercised such a sway over Balzac's many literary inheritors, from Dostoyevsky and Henry James to Marcel Proust; it also contains an array of short fictions in which Balzac is at his most concentrated and forceful. Nine of these, all newly translated, appear in this volume, and together they provide an unequaled overview of a great writer's obsessions and art. Here are "The Duchesse de Langeais," "A Passion in the Desert," and "Sarrasine"; tales of madness, illicit passion, ill-gotten gains, and crime. What unifies them, Peter Brooks points out in his introduction, is an incomparable storyteller's fascination with the power of storytelling, while throughout we also detect what Proust so admired: the "mysterious circulation of blood and desire."show more

Product details

  • Paperback | 376 pages
  • 128 x 202 x 28mm | 459.99g
  • The New York Review of Books, Inc
  • NYRB Classics
  • New York, United States
  • English
  • Main
  • 1590176642
  • 9781590176641
  • 130,896

Review quote

"Large as Balzac is, he is all of one piece and he hangs together perfectly." --Henry James "I have learned more [from Balzac] than from all the professional historians, economists, and statisticians put together." --Friedrich Engels "Balzac was both a greedy child and an indefatigable observer of a greedy age, at once a fantastic and a genius, yet possessing a simple core of common sense." --V. S. Pritchett "Balzac was by turns a saint, a criminal, an honest judge, a corrupt judge, a minister, a fob, a harlot, a duchess, and always a genius." --Andre Maurois "All Balzac's characters are endowed with the zest for life with which he himself was animated. All his fabrications are as intensely colored as dreams. From the highest ranks of the aristocracy to the lowest dregs of society, all the actors in his "Comedie "are more eager for life, more energetic and cunning in their struggles, more patient in misfortune, more greedy in pleasure, more angelic in devotion than they are in the comedy of the real world. In a word, everyone in Balzac has genius.... Every living soul is a weapon loaded to the very muzzle with will." --Charles Baudelaireshow more

About Honore de Balzac

HonorE de Balzac (1799-1850), one of the greatest and most influential of novelists, was born in Tours and educated at the CollEge de VendOme and the Sorbonne. He began his career as a pseudonymous writer of sensational potboilers before achieving success with a historical novel, "The Chouans." Balzac then conceived his great work, "La ComEdie humaine," an ongoing series of novels in which he set out to offer a complete picture of contemporary society and manners. Always working under an extraordinary burden of debt, Balzac wrote some eighty-five novels in the course of his last twenty years, including such masterpieces as "PEre Goriot," "EugEnie Grandet," "Lost Illusions," and "Cousin Bette." In 1850, he married Eveline Hanska, a rich Polish woman with whom he had long conducted an intimate correspondence. Three months later he died. In addition to the present collection, NYRB Classics publishes a translation of Balzac's "The Unknown Masterpiece" and" Gambara." Peter Brooks taught for many years at Yale, where he was Sterling Professor of Comparative Literature. He has written about Balzac in a number of books, including "The Melodramatic Imagination," "Reading for the Plot," "Henry James Goes to Paris," and "Enigmas of Identity." He is currently Andrew W. Mellon Scholar at Princeton and is at work on "Flaubert in the Ruins of Paris." Linda Asher has translated works by Milan Kundera, Georges Simenon, Victor Hugo, Jean-Pierre Vernant, Restif de la Bretonne, and many others. A former fiction editor at "The New Yorker," she has and ASCAP Deems Taylor translation prizes and is a Chevalier of the Order of Arts and Letters of the French Republic. Carol Cosman is a translator of French literature and letters. Her work includes "Exile and the Kingdom" by Albert Camus, "Colonel Chabert" by HonorE de Balzac, "America Day by Day" by Simone de Beauvoir, "The Elementary Forms of Religious Life" by Emile Durkheim, and "The Family Idiot" (a study of Flaubert) by Jean-Paul Sartre. Jordan Stump is a professor of French at the University of Nebraska-Lincoln; the author, most recently, of "The Other Book: Bewilderments of Fiction"; and the translator of some twenty works of (mostly) contemporary French prose by authors such as Marie NDiaye, Eric Chevillard, Antoine Volodine, and Jean-Philippe Toussaint. His translation of Claude Simon's "The Jardin des Plantes" won the French-American Foundation's annual translation prize in more

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170 ratings
4.06 out of 5 stars
5 36% (62)
4 36% (62)
3 24% (41)
2 3% (5)
1 0% (0)
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