The Hare with Amber Eyes : A Hidden Inheritance
264 wood and ivory carvings, none of them larger than a matchbox: potter Edmund de Waal was entranced when he first encountered the collection in the Tokyo apartment of his great uncle Iggie. Later, when Edmund inherited the \'netsuke\', they unlocked a story far larger than he could ever have imagined...The Ephrussis came from Odessa, and at one time were the largest grain exporters in the world; in the 1870s, Charles Ephrussi was part of a wealthy new generation settling in Paris. Marcel Proust was briefly his secretary and used Charles as the model for the aesthete Swann in Remembrance of Things Past. Charles\' passion was collecting; the netsuke, bought when Japanese objects were all the rage in the salons, were sent as a wedding present to his banker cousin in Vienna. Later, three children - including a young Ignace - would play with the netsuke as history reverberated around them. The Anschluss and Second World War swept the Ephrussis to the brink of oblivion. Almost all that remained of their vast empire was the netsuke collection, smuggled out of the huge Viennese palace (then occupied by Hitler\'s theorist on the \'Jewish Question\'), one piece at a time, in the pocket of a loyal maid - and hidden in a straw mattress. In this stunningly original memoir, Edmund de Waal travels the world to stand in the great buildings his forebears once inhabited. He traces the network of a remarkable family against the backdrop of a tumultuous century. And, in prose as elegant and precise as the netsuke themselves, he tells the story of a unique collection which passed from hand to hand - and which, in a twist of fate, found its way home to Japan.
- Paperback | 368 pages
- 129 x 198 x 27mm
- 27 Jan 2011
- London, United Kingdom
- w. ill.
In a decade where memoir became the dominant genre, this immensely evocative family history told via the journey through the generations of some Japanese miniature figures stood out
[A] wonderful book -- Dame Felicity Lott * Waitrose Weekend * In a decade where memoir became the dominant genre, this immensely evocative family history told via the journey through the generations of some Japanese miniature figures stood out -- Andrew Holgate * Sunday Times, *Books of the Decade* * From a hard and vast archival mass...Mr de Waal has fashioned, stroke by minuscule stroke, a book as fresh with detail as if it had been written from life, and as full of beauty and whimsy as a netsuke from the hands of a master carver. * The Economist * This remarkable book... a meditation on touch, exile, space and the responsibility of inheritance... like the netsuke themselves, this book is impossible to put down. you have in your hands a masterpiece. -- Frances Wilson * The Sunday Times * Few writers have ever brought more perception, wonder and dignity to a family story as has Edmund de Waal in a narrative that beguiles from the opening sentence -- Eileen Battersby * Irish Times *
About Edmund de Waal
Edmund de Waal's porcelain is shown in many museum collections round the world and he has recently made installations for the V&A and Tate Britain. He was apprenticed as a potter, studied in Japan and read English at Cambridge. He is Professor of Ceramics at the University of Westminster and lives in London with his family.
Our customer reviews
the first book I have read this year and it has set the bench mark high! I gave this book 10/10. If you like history and particularly family history, then you will like this book. I couldnt put it down. Highly recommendedshow moreby frances bollard
I enjoyed the premise of this book, but was a little let down in the delivery. I think the detail was a little overwhelming in parts and some areas I was really interested in were not covered i.e. what happened to Anna, what is the significant of the netsuke and who created them. Read my full review at http://www.ourbookclub.net.au/Autobiographies2011.phpshow moreby Tracy Hudson