From Ballroom to DanceSport : Aesthetics, Athletics, and Body Culture
Drawing on recent media portrayals and her own experience, author and dancer Caroline Joan S. Picart explores ballroom dancing and its more "sporty" equivalent, DanceSport, suggesting that they are reflective of larger social, political, and cultural tensions. The past several years have seen a resurgence in the popularity of ballroom dance as well as an increasing international anxiety over how and whether to transform ballroom into an Olympic sport. Writing as a participant-critic, Picart suggests that both are crucial sites where bodies are packaged as racialized, sexualized, nationalized, and classed objects. In addition, Picart argues, as the choreography, costuming, and genre of ballroom and DanceSport continue to evolve, these theatrical productions are aestheticized and constructed to encourage commercial appeal, using the narrative frame of the competitive melodrama to heighten audience interest.
- Paperback | 177 pages
- 152.4 x 223.5 x 15.2mm | 249.48g
- 01 Jan 2006
- State University of New York Press
- Albany, NY, United States
- Annotated edition
- Total Illustrations: 0
"This book on the politics, aesthetics, and cultural underpinnings of ballroom dancing and DanceSport is written by someone who participates in both, and this lends an immediacy and authority to the author. Picart is able to provide a very thoughtful and subtle analysis of how society positions itself on the transformation of an art form into a sport."
About Caroline Joan S. Picart
Caroline Joan S. Picart captured second place at the 2005 United States DanceSport Championships in the World Pro Am Cabaret Champion category, as well as second place at the Millennium National Pro Am Cabaret Championship. When not dancing, she is Associate Professor of English and Courtesy Associate Professor of Law at Florida State University, and is the author of many books, including Remaking the Frankenstein Myth on Film: Between Laughter and Horror, also published by SUNY Press, and Inside Notes from the Outside.